Iceland

Synopsis:
Icelandic filmmaker Olafur Sveinsson takes on the challenge of documenting one of his native country’s social ills by focusing on the homeless people taking shelter in the capital city of Reykjavik’s main bus terminal in his 2002 sociological documentary Hlemmur (Last Stop). Most of the people Sveinsson interviewed were either mentally handicapped or grappling with some sort of debilitating addiction, both conditions which obviously had tremendously negative impacts on the subjects’ personal lives and resulted in their social marginalization. Read More »

A young girl from a tiny fishing village in a remote corner of Iceland falls in love with her sister’s boyfriend. After realizing they cannot be together she finds a magical way to escape her isolated world.Read More »

Quote:
After a suspicious fatal car accident in Hastings where the identity of the victim was forged, the Quality Life insurance company sends their smart investigator Abe Holt (Forrest Whitaker) to identify the body. The unique beneficiary of the one million dollars death benefit is the sister of the victim, Isold (Julia Stiles), who lives with her son Thor and her husband Fred (Jeremy Renner) in a poor cabin in the middle of nowhere. Along the investigation, Abe discloses the truth about the fraud, but feels sorry for Isold and Thor and tries to help them with tragic consequences.Read More »

From cinemaperspective.com
When filmmakers possess a signature style that can be identified across their body of work, they are sometimes referred to as an auteur of cinema. It’s a term that might get banded around too frequently, but one that is often used when discussing Icelandic visionary Baltasar Kormákur. His latest feature is crime thriller The Oath, a personal project which he amazingly produces, directs, co-writes and stars in. The story follows family man heart surgeon Finnur (Kormákur) who tries to rescue his daughter Anna (Hera Hilmar) from her thuggish boyfriend Óttar (Gísli Örn Garðarsson) when she becomes entangled in his dangerous, criminal lifestyle.Read More »

Quote:
A remote fishing village in Iceland. Teenage boys Thor and Christian experience a turbulent summer as one tries to win the heart of a girl while the other discovers new feelings toward his best friend. When summer ends and the harsh nature of Iceland takes back its rights, it’s time to leave the playground and face adulthood.Read More »

Quote:
In Rams, writer-director Grímur Hákonarson mixes drollness and pathos with commanding matter-of-factness. The narrative is so inherently poignant that Hákonarson understands it requires a dry directorial counterpoint, which he provides in the guise of initially misleading authorial distance. A documentary filmmaker making his fictional feature debut, Hákonarson structures Rams with a sense of restriction that’s similar to that of certain documentaries, as if only some gestures could be captured within this rural Icelandic setting. There’s little exposition, though one’s given what they’re needed to orient themselves, as characters are observationally shown, at length, to engage in the processes that define their lives, particularly farming, sheep competitions, and tormented drinking.Read More »

‘heima’ is sigur rós’s first ever film, filmed over two weeks last summer when the band undertook a series of free, unannounced concerts in iceland. they hauled 40-plus people round 15 locations to the furthest flung corners of their homeland for their debut venture into live film, to create something, well, inspirational.

on their way they went to ghost towns, outsider art shrines, national parks, small community halls and the absolute middle-of-nowhere-ness of the highland wilderness, as well as playing the largest gig of their career (and in icelandic history) at their homecoming reykjavik show.

‘heima’ (icelandic for “at home” or “homeland”), truly, shows sigur rós as never before. whereas seeing the group live is normally a large-scale and sometimes overwhelming experience, making full use of lights and mesmeric visuals, ‘heima’ was always intended to reveal more of what was actually going on on stage. it does this via long-held close-ups and a rare intimate proximity, without ever once breaking the spell.Read More »

Based on actual events, a fisherman tries to survive in the freezing ocean after his boat capsizes off the south coast of Iceland.Read More »

Hlynur is the ultimate slacker. He sleeps all day, drinks all night and fails to maintain any kind of sensible relationship with members of the opposite sex – except for his mother whose home he still lives in. Life is pretty simple in a depressing and dull sort of a way until Hlynur sleeps with a beautiful Spanish houseguest (the wonderful Abril) who it then transpires is his mother’s lesbian lover…Read More »