Horror

Psycopathic killer stalks teens at a run down, abandoned movie theatre.
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A man searching for his long-lost lover is kidnapped by her killers, an insane, mother-daughter duo, and they force him to commit various sexual atrocities with them.Read More »

Plot :
Lucy Harbin has spent 20-years in a psychiatric hospital for the decapitation axe-murder of her husband (Lee Majors) and his mistress, after catching him cheating on her. After she is released, she takes up residence at the farm of her brother Bill Cutler and sister-in-law Emily.Read More »

Quote:
Simon Wade is an average young man who goes about his profession as a teacher with the same kind of dedication that he exhibits when taking care of his ailing mother. But, under the seemingly obliging surface of nice-guy Simon there lurks an entirely different side. His unquenchable thirst for fresh blood forces the young teacher to trawl websites in search of suicidal young women, whose blood he can steal.Read More »

PLOT SUMMARY:
A young American dancer travels to Europe to join a famous ballet school. As she arrives, the camera turns to another young woman, who appears to be fleeing from the school. She returns to her apartment where she is gruesomely murdered by a hideous creature. Meanwhile, the young American is trying to settle in at the ballet school, but hears strange noises and is troubled by bizarre occurrences. She eventually discovers that the school is merely a front for a much more sinister organization.
source = IMDB
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Synopsis
A film within a film. Two teenage girls watching a horror film about a killer controlled by his mother are disturbed by the excessive violence. As they, and the rest of the audience, leave the theater, characters, etc. from the film they were watching confront them.Read More »

Quote:
With an arresting mix of eroticism and horror, Oshima plunges the viewer into a nightmarish tale of guilt and retribution in Empire of Passion (Ai no borei). Set in a Japanese village at the end of the nineteenth century, the film details the emotional and physical downfall of a married woman and her younger lover following their decision to murder her husband and dump his body in a well. Empire of Passion was Oshima’s only true kaidan (Japanese ghost story), and the film, a savage, unrelenting experience, earned him the best director award at the Cannes Film Festival.Read More »

Quote:
A sound engineer’s work for an Italian horror studio becomes a terrifying case of life imitating art.Read More »

Plot Synopsis by Cavett Binion

The second of two horror films shot in a single production term and bearing the name of pop-art icon Andy Warhol (whose participation pretty much ended with the use of his name), this film is slightly superior to its higher-profile predecessor, Andy Warhol’s Frankenstein. Direction is credited to Warhol factory filmmaker Paul Morrissey, though there still exists a very vocal camp who insist that the real credit should go to Italian director Antonio Margheriti. Euro-horror leading man Udo Kier assays the title role, playing the count as a pale, anemic-looking blood junkie with an overwrought accent. Finding the supply of “weer-gin” blood diminishing rapidly in Romania, Dracula is forced to seek a fix in a predominantly Catholic Italian province, where he is certain a few virgins still exist. He travels with his assistant (Arno Juerging) and his coffin-sealed sister to the decrepit, crumbling mansion of the financially-strapped Marquis DiFore (a tour-de-force performance from Bicycle Thief director Vittorio de Sica) who welcomes the affluent Count with open arms, hoping to marry off any one of his four daughters. Dracula clearly has other intentions for the girls… but his plans are rudely thwarted by beefy, socialist handyman Mario (Joe Dallesandro), who has been dutifully divesting the young maidens of their — ahem — virtue, thus tainting their blood and making it unsafe for vampiric consumption. Very unsafe, it turns out — as we are treated to protracted scenes of the death-pale Count vomiting up gallons of blood. Rated “X” at the time of its release (and subsequently re-rated “R” ten years later), this outrageous catalogue of depravity features wildly campy performances, inane dialogue and an outrageous climax.Read More »