Horror

RUBBER is the story of Robert, an inanimate tire that has been abandoned in the desert, and suddenly and inexplicably comes to life. As Robert roams the bleak landscape, he discovers that he possesses terrifying telepathic powers that give him the ability to destroy anything he wishes without having to move. At first content to prey on small desert creatures and various discarded objects, his attention soon turns to humans, especially a beautiful and mysterious woman who crosses his path. Leaving a swath of destruction across the desert landscape, Robert becomes a chaotic force to be reckoned with, and truly a movie villain for the ages. Directed by legendary electro musician Quentin Dupieux (Steak, Nonfilm), aka Mr. Oizo, RUBBER is a smart, funny and wholly original tribute to the cinematic concept of “no reason.”Read More »

Sequel to 1931’s Frankenstein, Bride of Frankenstein was directed by James Whale and stars Boris Karloff as The Monster, Elsa Lanchester in the dual role of his mate and Mary Shelley, Colin Clive as Henry Frankenstein and Ernest Thesiger as Doctor Septimus Pretorius.

The film follows on immediately from the events of the earlier film, and is rooted in a subplot of the original Mary Shelley novel, Frankenstein (1818). In the film, a chastened Henry Frankenstein abandons his plans to create life, only to be tempted and finally coerced by the Monster, encouraged by Henry’s old mentor Dr. Pretorius, into constructing a mate for him.Read More »

PLOT SUMMARY
Unable to accept the the loss of their son in the 2005 Tsunami, Jeanne and Paul Bellmer have remained in Phuket. Desperately clinging to the fact that his body was never recovered, Jeanne has convinced herself that the boy was kidnapped by traffickers in the chaos that followed the catastrophe… Paul is sceptical, but cannot bring himself to shatter his wife’s last hope. The traumatized couple embark on a quest that will plunge them through paranoia and betrayal, ever deeper into an alien universe, a supernatural realm where the dead are never truly dead, and where nightmares, obsession and horrifying reality converge.Read More »

PLOT
Welcome to La Residencia, a borderline reform school packed with over-blossoming maidens and presided over by a whacked-out head-mistress played to the hilt by Lili Palmer. It’s true that the murder “mystery” is instantly guessable, but this is a beautifully made gothic chiller with superb performances all around. Also features great cinematography and music. The award-winning script is steeped in classical references and reveals a swirling morass of sexual and political repression. A moody, spooky masterpiece.Read More »

An IMDB hater wrote:
This movie is a total piece of junk. It was shot on what looks like 8 millimeter film(not sure though). It looks like it was somebody’s student film. I think that this is the worst movie I’ve ever seen, and I’ve seen some pretty bad movies. I can’t believe that this movie is out on DVD, it’s so bad. The plot has something to do with a giant rabbit or something, I don’t know. I pretty much fast forwarded through the movie because it was so unbelievably bad. This movie has to be one of the worst ever made. I believe that the sound quality is bad and messed up too. The movie also had bad edits, I believe and poor special effects. I guess that the movie would be decent for a student film. They say that Ed Wood’s movies are bad. This movie makes Wood’s movies look like “Casablanca”. It’s a no-budget movie. I would recommend this movie to people only for them to see the world’s worst film. It should have remained buried. Take care.Read More »

In a small lakeside town in the French countryside, young women are disappearing without a trace. The superstitious locals blame “The Lake of Ghosts,” but the town’s mayor (Howard Vernon) seems reluctant, or powerless, to take any action. When another girl is found with her throat ripped out, a Paris reporter begins to uncover the deadly secrets of the lake and the dead, green-faced Nazis who are aroused to action!
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Dementia 13-Francis Ford Coppola’s black and white shocker is certainly one of the creepiest horror movies of an early 60’s.It predates all the slasher films made in 70’s and 80’s.Surprisingly spooky and atmospheric it contains plenty of axe murders(the decapitation of the hunter is especially memorable).The underwater scene is extremely creepy and the climax is well-handled and surprising. The film seems to be forgotten by many horror fans-it’s a classic and should be treated with respect!
If you want to be scared check out this creepy gem! Read More »

Suspenseful for most of its length, though a letdown at the end, this psychic thriller is about four very different people who are drawn to one particular place in the town of Sopot, a resort on the Baltic Sea. The time is 1933, and it so happens that 50 years earlier, a foul murder was committed here. Involved in that offense were four people who are dead-ringers for the four now gathering in Sopot. The modern versions of the four dead people are a police commissioner, a schoolteacher, a hunchback, and someone who just happens to be visiting from Berlin. As the police commissioner begins to gather evidence, he comes to the conclusion that this murder might just be a cyclical occurrence.Read More »

“The 1970’s was the decade of the gothic lesbian vampire film. The exploitation efforts of Jean Rollin (LIPS OF BLOOD), Jess Franco (VAMPYROS LESBOS), and Hammer (LUST FOR A VAMPIRE) were enormously popular at the time. These films successfully combined the fear of death and eroticism, which struck a cord with male audiences. Many of the films merely hinted at the overt sexuality, and most never fully explored the sexual aspects of the genre’s premise. That all changed in 1974, when upstart Spanish director Jose Ramon Larrez (or Joe as he is called stateside) raised the bar with the ultimate depiction of sex and horror, VAMPYRES. Larrez teamed with producer Brian Smedley-Astin to film their adult vampire epic in England. By the time VAMPYRES was released there, the censors cut out most of the offensive scenes, castrating the power of this artsy exploitation picture. Luckily when the film played the Drive-In circuit in America (as DAUGHTERS OF DRACULA), we got to see what the British audience didn’t–powerful sex trysts and disturbing death scenes. Thanks to Larrez’s scripting and directing skills, VAMPYRES rose to top of its genre. Today, VAMPYRES is a highly regarded classic in Euro horror-circles, and rightly so…Read More »