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It’s time for hockey! There’s no telling what will happen when the Winnipeg Maroons’ own star player Guy becomes embroiled in the twisted lives of Meta, a vengeful Chinoise, and her hairdresser/abortionist mother Liliom. Innocent Veronica, caught in the middle, is treated to both services! Meanwhile poor, dithering, cowardly Guy can only stand by and watch.Read More »
In a crowded auditorium, a hilarious and mildly erotic party train is formed. Guy Maddin imprints his unique filmmaking stamp on the emerging cell phone medium in this irreverent romp.Read More »
Maddin’s frequent collaborator Evan Johnson (who is co-director on The Forbidden Room) presents four visuals essays, ranging from one and a half to four minutes in length: Puberty, Colours, Elms, and Cold, each representing a visual exploration of a specific theme.Read More »
Maddin’s frequent collaborator Evan Johnson (who is co-director on The Forbidden Room) presents four visuals essays, ranging from one and a half to four minutes in length: Puberty, Colours, Elms, and Cold, each representing a visual exploration of a specific theme.Read More »
Maddin’s frequent collaborator Evan Johnson (who is co-director on The Forbidden Room) presents four visuals essays, ranging from one and a half to four minutes in length: Puberty, Colours, Elms, and Cold, each representing a visual exploration of a specific theme.Read More »
Maddin’s frequent collaborator Evan Johnson (who is co-director on The Forbidden Room) presents four visuals essays, ranging from one and a half to four minutes in length: Puberty, Colours, Elms, and Cold, each representing a visual exploration of a specific theme.Read More »
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Have you ever wanted to relive your childhood and do things differently? Guy Maddin (THE SADDEST MUSIC IN THE WORLD) casts B-movie icon Ann Savage as his domineering mother in attempt to answer that question in MY WINNPEG, a hilariously wacky and profoundly touching goodbye letter to his childhood hometown. A documentary (or “docu-fantasia” as Maddin proclaims) that inventively blends local and personal history with surrealist images and metaphorical myths, the film covers everything from the fire at the local park which lead to a frozen lake of distressed horse heads to pivotal and factually heightened scenes from Maddin’s own childhood, all laced with a startling emotional honesty.Read More »
Glorious (2009, Canada, 12 min.)
Glorious tells the story of an aging crime family patriarch, holed up in a derelict apartment block. Maddin pulls out all the stops as the film unfolds into an orgy of paranoia, bursting ammo shells, rackety disarmaments and oral gratification from beyond the grave. Featuring the music of British/Dutch composer Richard Ayres.Read More »
Fancy, Fancy Being Rich combines Guy Maddin’s favorite film fetishes and is thus instantly recognizable as one of his flamboyant creatures. His visual technique replicates the scratched and scarred silver nitrate skin of the silent films he idolizes. His works have an operatic flavor, as if perfectly located on a melodramatic borderline between repression and release. Perhaps this also explains the hilarious sexual symbolism that runs rampant through his intricately imagined and riotously perverse mise en scene.Read More »