Germany

Oberon and Titania, the elf king couple from Shakespeare’s “Midsummer Night’s Dream”, fate has landed in a contemporary city park. Your task is to help modern couples who only maintain “relationships” to regain true lust and love.Read More »

Quote:
Nik, a released prisoner who started writing in prison, wants to leave his past behind, but refuses to contact his former girlfriend and her family. Under the name of his jail buddy Henry, he moves in with his pen pal–who has never seen him–and is always watched suspiciously by their roommate. Nik seeks contact with the literary culture, although he feels disgusted by the pompous fuss of this society. He is not without talent and works on a novel in which he minutely describes the abduction of an industrialist. Henry gets shot at the prison breakout and visits Nik to get help from him. He likes his novel plot and wants to put it into action.Read More »

Though it was accepted as standard entertainment upon its first release, the German Jugend (Youth) has in recent years been perceived as an implicitly pro-Nazi tract. Adapted by Thea Von Harbou from a controversial 19th century play by Max Hulls, the story concerns a young girl named Annchen (Kristina Soderbaum), who from childhood onward has had her judgment warped by the self-righteous proclamations of a fanatical priest (Eugene Klopfer). After her first sexual experience, Annchen is so overwhelmed by guilt that she commits suicide, profoundly affecting the lives of those closest to her. Some critics have suggested that the film advises its audience to beware false prophets-except those wearing brown shirts and armbands, who will lead the populace from the opiate of religion to the glories of National Socialism. The fact that Jugend was directed by Kristina Soderbaum’s husband Viet Harlan, one of the German film industry’s leading torch-bearers for the Third Reich, has not been a point in its favor. ~ Hal Erickson, All Movie GuideRead More »

Summary
Joachim “Blacky” Fuchsberger provided the starting point for “Overgames”: In 2005, he stated in a talk show that the content of his TV game show “Nur nicht nervös werden”, which first aired in 1960, was originally developed in US-American psychiatric institutions with the aim to re-educate the Germans, a “psychologically disturbed nation”. Director Lutz Dammbeck sets out on a global research that leads to important questions: In which regard may games change the world? Can a person be re-educated? And what is the idea of a permanent revolution?Read More »

For nearly 20 years a civil war raged in northern Uganda – The rebels of the LRA (Lord’s Resistance Army) were waging a bloody guerilla campaign. They abducted children and conscripted them as soldiers, forcing them to kill their own people. The film Lost Children documents the lives of four children, from 8 to 14 years old, who successfully escaped the LRA.Read More »

Two railway officials buy an old railway in Kleinbach and starts to transport tourists. Their services include champagne, dancing and sex.Read More »

DIDN’T DO IT FOR LOVE is a documentary portrait of Eva Norvind, a.k.a. Mistress Ava Taurel, born Eva Johanne Chegodaieva Sakonskaya in Trondheim, Norway. The film follows Eva’s many careers, from her time as a showgirl in Paris to becoming Mexico’s Marilyn Monroe in the 1960s to establishing herself as New York’s most famous dominatrix in the 1980s. Using clips from Norvind’s Mexican films, stills from various periods, and interviews with friends, partners and family, Treut’s documentary traces Eva’s search for the wellspring of her obsessive and dark sexuality.Read More »

Clarke Fountain, Rovi wrote:
Celia, who calls herself Ginevra, is a movie actress who is appearing in an art-film. When she collapses from exhaustion while browsing in a bookstore and subsequently has a car crash, she decides to run away, throwing away her belongings and attempting to live incognito with a bar singer. Eventually she returns to her oh-so-boring life and shuttles between two additional lovers while working on the set of “Tears of an Angel.” Some allusions are made to the Arthurian and Camelot myths, but these are not developed. Reviewers found the main attraction of this “art film” to be the numerous sex scenes between the star (played by Amanda Ooms) and her various lovers.Read More »

The movie depicts the daily struggle of vaccum cleaner salesmen in the region of Stuttgart, Germany at the tail end of the 90’s. What sounds dry is a deep and unmasking look into the homes of german housewives and housemen and the salesmen struggling to get by. The movie is driven by the daily incidental, often hilarious interactions of salesmen and to-be customers. The movie interrogates the essence of southwestern german housewives and housemen and salesmen alike by removing the narrator and letting the respective counterparts play out all of the interactions.Read More »