Doctor Julia Pfeiffer has the brain of the radical leftwing activist Ulrike Meinhof stored away in a box. Her rival, the extreme rightwing ideologist Detlev Schlesinger, is in possession of the remains of Michael Kühnen, a neo-Nazi gay who died of AIDS. What will happen when these characters meet? A little big provocation directed by the inimitable Bruce LaBruce.Read More »
Plot / Synopsis
In the last moments of World War II, a secret Nazi space program evaded destruction by fleeing to the Dark Side of the Moon. During 70 years of utter secrecy, the Nazis construct a gigantic space fortress with a massive armada of flying saucers. When American astronaut James Washington (Christopher Kirby) puts down his Lunar Lander a bit too close to the secret Nazi base, the Moon Führer (Udo Kier) decides the glorious moment of retaking the Earth has arrived sooner than expected. Two Nazi officers, ruthless Klaus Adler (Götz Otto) and idealistic Renate Richter (Julia Dietze), travel to Earth to prepare the invasion. In the end when the Moon Nazi UFO armada darkens the skies, ready to strike at the unprepared Earth, every man, woman and nation alike, must re-evaluate their priorities. — (C) Official SiteRead More »
A juror in a murder trial, after voting to convict, has second thoughts and begins to investigate on his own before the execution. German version of “Murder. (ımbd)Read More »
Plot Synopsis
Proving that romance can blossom even in the direst and most seemingly disadvantageous of circumstance, a pure-hearted Kazakh settler and a Kyrgyz woman find each other’s hearts, their love rising like a phoenix out of the ruins of the Afghani wars, during the aftermath of the Iron Curtain’s fall and in a region of the world that has been racked by tumult. Each of their personal histories, taken apart, seem dead-end and hopeless; Temür is a thirty-year-old fisherman whose lack-of-success on the Aral Sea has prompted him to give up on his chosen career , especially given the fact that the Aral has all but dried up and is now unpopulated by fish. Amira, who hails from Kyrgyzstan, foresees a future that is equally bleak, given the fact that her husband recently left home and went off to fight the mujhadeen. In each other, the lovers perceive an opportunity for escape and redemption.Read More »
The Dreileben trilogy comes to a nail-biting close with director Christoph Hochhäusler’s expert thriller, which also brings escaped felon Molosch—a peripheral character in the first two parts—into sharp focus. Hot on the killer’s trail, grizzled police inspector Marcus (Eberhard Kirchberg) tries to put himself inside the mind of the criminal, even as he begins to wonder if the condemned man really is guilty as charged. Meanwhile, as Molosch (brilliantly played by Stefan Kurt) flees deeper into Dreileben’s possibly enchanted forest, he has an unexpectedly tender encounter with a young runaway girl—scenes that echo the Frankenstein story and transform One Minute of Darkness into a dark, memorably strange fairy tale.Read More »
Germany during a normal summer weekend. Punks, Skins and autonomous groups – in case they meet each other this will end up in chaos – this happens during the Chaostage (chaos days). The movie tells a story which could happen every time anywhere. The right mixture of beer, sun music and a feeling of violence will become an explosive mixture.Read More »
From Jim’s Reviews:
Disclosure: I have written the liner notes for Fantoma’s DVD release of this film. With a few changes, that essay appears below.
Image”You hear the one about the guy goes into a bakery, orders a loaf of bread? ‘White or black?’ the baker asks. ‘Doesn’t matter,’ the guy says. ‘It’s for a blind person.'”
How do we move from these opening words of Why Does Herr R. Run Amok? – one of five rapid-fire jokes delivered by Herr R.’s co-workers – to its climactic killing spree? Like the title, that’s another gnawing, and resonant, question.Read More »
Germany in the early 1930s. Against the backdrop of the Nazis’ rise, Hermann Hermann, a Russian émigré and chocolate magnate, goes slowly mad. It begins with his seating himself in a chair to observe himself making love to his wife, Lydia, a zaftig empty-headed siren who is also sleeping with her cousin. Hermann is soon given to intemperate outbursts at his workers, other businessmen, and strangers. Then, he meets Felix, an itinerant laborer, whom he delusionally believes looks exactly like himself. Armed with a new life insurance policy, he hatches an elaborate plot in the belief it will free him of all his worries.Read More »
