“Don’t be scared,” he’d whisper, “There’s nothing to be scared of. It’s just the hollow people.” Peter Nestler has made a film based on Israeli author and scriptwriter Etgar Keret’s short story “The Hollow Men”. a man’s memories of his childhood, marked by the fear of bodiless voices and masks. A beautiful and terrible miniature at the same time.Read More »
“Bis daß der Tod euch scheidet” is the story of a couple whose mad love for each other smashes headlong into the husband’s patriarchal value system. Based on a true story.Read More »
Plot:
Aging Cuban musicians whose talents had been virtually forgotten following Castro’s takeover of Cuba, are brought out of retirement by Ry Cooder, who travelled to Havana in order to bring the musicians together, resulting in triumphant performances of extraordinary music, and resurrecting the musicians’ careers.Read More »
The story tells of a travelling saleslady who gets a younger rival from her boss and is doomed to be mobbed out. However the new girl soon discovers that she also is only a plaything for the boss and after a rough start the two women come together and play a bit Thelma and Louise …Read More »
Synopsis:
An attempt to observe life from the outside – to gain distance, to not interfere, to just observe. Two young women sitting in a café on a summer day, a family arriving at the airport, an older woman sitting alone in a train, adult children standing in front of the hospital where their father is dying. Situations found everyday, a thousand times over. But what happens when you try to depict this normality?Read More »
Petra professionally works as a thief abroad to finance the studies of her younger sister Franziska in Germany. When she returns, she realizes that her sister has a secret, too.Read More »
Peter Stein’s production of Gorki´s SOMMERGÄSTE at the Schaubühne in December 1974 became one of the greatest theatre successes in Germany and beyond. “That’s how theatre should always be. That’s how actors should always play,” wrote Le Monde, while in England the Daily Telegraph only had a simple title: “Director of genius”. In 1975 Stein filmed the play in a new adaptation by Botho Strauß.Read More »
Quote:
Authentically ‘New’ German Cinema, and, simultaneously, an archaeology of narrative film itself, Wyborny’s avant-garde landmark defines cinema as a ‘nation’ that has perversely acquired rulers, laws and hierarchies before it has even been physically mapped out. At first appearing to spin an elementary yarn of social organisation (the predictably fraught establishment of a rudimentary commune in the Moroccan desert of 1911) in the ‘authoritative’ film language of DW Griffith, Wyborny proceeds to break down that language to its constituent elements and produce fragmentary hints of alternatives. Structural film-making of a rare wit and accessibility results, with flashes of appropriate absurdity highlighting the redundancy of closed systems, whether social or cinematic.Read More »
Quote:
Nadine is obsessed by a memory linked to a haunting tune she can no longer sing — until she hears someone else singing and everything falls back into place again. A melancholy observation of two young couples having difficulties trusting one another. They are full of skepticism and searching for a purpose in life.Read More »