Gaspar Noé

  • Gaspar Noé – Love (2015)

    2011-2020DramaFranceGaspar Noé

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    Synopsis
    IMDB wrote:
    Murphy is an American living in Paris who enters a highly sexually and emotionally charged relationship with the unstable Electra. Unaware of the effect it will have on their relationship, they invite their pretty neighbor into their bed.Read More »

  • Gaspar Noé – Tintarella di luna (1985)

    1981-1990FranceGaspar NoéShort Film

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    Noé made two black-and-white short films upon finishing his studies, Tintarella di luna in 1985, and Pulpe amère in 1987. Tintarella di luna tells the simple story of a woman who leaves her husband for her lover.Read More »

  • Gaspar Noé – Sodomites (1998)

    1991-2000EroticaFranceGaspar NoéShort Film

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    Iconoclastic indie filmmaker Gaspar Noe is as soft-spoken as his films are abrasive. The force behind the short film “Carne” (1991) and “I Stand Alone” (1998) — two visually explosive and delectably warped odes to the ordinary madness of a misunderstood horse butcher — Noe writes, directs, produces, shoots and edits films so distinctive that his films have already developed cult followings.

    As part of a French government initiative to promote the use of condoms through graphic depictions of their proper use, Noe made the short “Sodomites” and handled camera duties on Hadzihalilovic’s “Good Boys Use Condoms.”Read More »

  • Gaspar Noé – Seul Contre Tous aka I Stand Alone (1998)

    France1991-2000ArthouseCrimeGaspar Noé

    “A grim portrait of disaffection and loneliness, Gaspar Noe’s I Stand Alone is a movie clearly conceived to make a stir. With an armed, frustrated, and hate-filled time bomb at its center, it unabashedly recalls Taxi Driver, offering its own nihilistic spin on Martin Scorsese’s masterpiece of urban anomie and redemption. For a feature debut, it’s unbelievably daring. Noe doesn’t shy away from sprucing up his familiar story with Godard-ian flourishes, including occasional intertitles, a torrent of offscreen narration, and even a warning to the audience to leave before the wrenching finale. A more jarring conceit is the frequent use of abrupt cuts and fast dollies, accompanied by gunshots on the soundtrack. Genuinely startling and somewhat misconceived, the distracting device nonetheless goes some way toward evoking the volatile mindset of the protagonist.Read More »

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