France

By chance, fifty-year old Thomas finds himself back in the little town of his childhood. While visiting his mother’s grave he faints and wakes up to find himself in the past. Thomas is 14 again, an adolescent who has kept all his adult experience and character. He meets up with his classmates, the girl with whom he was secretly in love, and above all his parents – his mother, so young and full of life; his father, who had disappeared back then, never to return. Thomas tries to find out the real reasons for his father’s departure. But can he relive his past without changing it?Read More »

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“A filmmaker and academic, Stephane Marti has pursued cinema as a visual art form, divorced from the codes of the dominant narrative cinema, since 1976. He is a passionate and militant advocate of Super-8, a filmmaking tool which he has used for 30 years.

His work has been shown in festivals and international presentations and has elicited numerous articles and interviews. His flamboyant, baroque and sensual style focuses principally on the Body and the Sacred.

Baroque shades of red and gold fill the frame and dominate the color palette. These pure colours are captured by a mobile, trembling camera, whose gaze is projected with desire towards the bodies of the actors. The plasticity of the masculine subject’s skin is the axis of its gaze.Read More »

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It was Rivette’s second feature, after the puzzling ‘Paris Nous Appartient,’ and eschewed the nouvelle vague in favour of something altogether more structured, indeed rigorously so. “This film is a work of imagination,” the opening caption informs us, “not a portrait of religious institutions, 18th century or other. It should be viewed from a double perspective; history and romance.”Read More »

A fiercely active Communard, Louise Michel is condemned for taking arms against Bismarck. Along with thousands of other revolutionaries, she is deported to New Caledonia, whilst, back in Paris, a young parliamentarian Georges Clemenceau campaigns for a truce with the Communards. During her exile, Louise Michel becomes a teacher and wins the admiration of the other deportees, inspiring them to rise up against the colonial order…Read More »

Lucien (Michel Serres) and Dubois (Claude Brasseur), together with their wives go on holiday at the sea in Deauville. But once the trouble starts: rented villa completely destroyed, their luggage sent by train is lost at sea, they meet patron Lucien (Michael Galabryu) and constantly underfoot confused a fussy holidaymaker (Louis de Funes)Read More »

With Toute la mémoire du monde, Resnais is setting the basis of his cinematographic project about places of memory. Within 20 minutes, Resnais is surgically, methodically analyzing the national library of France. With an hyperactive camera, he’s sneaking, he’s smelling, he’s feeling this huge building.Read More »

Synopsis :
In the fields, we see them, extended on the grass or grazing peacefully. Large placid beasts that we thought we knew because they are livestock. Lions, gorillas, bears have our attention, but has anyone ever really looked at the cows? Has asked what they were doing with their days? What do they do when a storm passes? When the sun comes back? What do they think when they stand motionless, seemingly contemplating the void? But, in fact, do they think? The rhythm of the animal, in the middle of a herd, “Bovines” chronicles the life of cows, true.Read More »

After training as a paintor and sculptor in artist’s studios and art schools in Lima (The Art Center, La Escuela de Bellas Artes) and in London (Regent Street Polytechnic, Chelsea School of Art), Rose LOWDER worked in London as an artist while earning a living in the film industry as an editor. From 1977 onwards she concentrated on studying the visual aspect of the cinematographic process, and was encouraged by Jean Rouch and his staff at the University de Paris X to present some of her work as a thesis under the title The experimental film as an instrument towards visual research (1987).Since 1977 Lowder has been active programming rarely shown films. In order to make this body of work available to a wider public, she constituted a collection of films and paper documents, The Experimental Film Archive of Avignon (1981). Since 1996 Lowder is also associate professor at the University de Paris I.Read More »

A first person diatribe against modern consumerist society as seen through the eyes of a cynical advertising executive whose efforts to get fired from his job backfire as he keeps getting promoted.Read More »