Quote: Twenty years after David Cronenberg prophesised the dark side of the Internet age in Videodrome, acclaimed French filmmaker Olivier Assayas (Irma Vep) updated it for the New Millennium in his startlingly prescient Demonlover, a chilling exploration of the nexus between sex and violence available at the click of a button.Read More »
Documentary limning the life of Paris and its citizens during “La Belle Epoque,” the years between 1900 and 1914. Beginning with the Paris Exposition of 1900 and the completion of the Eiffel Tower, the film progresses through cultural, technological, and social changes, from peaceful and sometimes näive times to the rumbling foreshadowing of the war that would disrupt France and Europe for years to come.Read More »
Quote: Amin, an aspiring screenwriter living in Paris, returns home for the summer, to a fishing village in the South of France. It is a time of reconnecting with his family and his childhood friends. Together with his cousin Tony and his best friend Ophélie, he spends his time between the Tunisian restaurant run by his parents, the local bars and the beaches frequented by girls on holiday.Read More »
Quote: Daniele Delorme is a turn-of-the-century teenage courtesan-in-training in the French romantic comedy Gigi (1948). Instructed by her beloved grandmother Yvonne de Bray (Mamita) and glamorous courtesan aunt Gaby Morlay (Alicia) in the art of using her feminine wiles, 16-year-old Gigi learns how to select a man’s cigar, determine the value of the various jewels she will be given by her rich lovers, chew her meat while continuing to carry on a conversation and other priceless tidbits in the feminine arsenal of seduction.Read More »
Une jeune fille doit interpréter le role d’Ophelie du “Hamlet” de Shakespeare dans le théâtre d’un metteur en scène américain quelque peu oublie. Quelque temps auparavant elle est sauvée in extremis lors de l’accident d’une centrale nucléaire. Mais Ophelie est malade. Robert son frère veut la soigner avec un drôle de champignon découvert par Marie au moment de l’accident. Pour Jean-Paul Civeyrac, étudiants de la Femis, “le vrai sujet du film est la possibilité compromise d’inventer une histoire, de faire un projet d’existence alors que le monde peut se détruire”.Read More »
Synopsis: ‘François Roques, a power-and-money-mad editor of a Paris newspaper (who justifies his actions by calling attention to his poverty-stricken childhood), invites four women to a housewarming at his penthouse apartment. He plans on one of them to meet death by means of a loose railing on the balcony. The invitees are: Constance, François’ first wife, whose love and integrity also stood in the way of his schemes; Véra Volpone, his second wife, from whom he is seeking a divorce, and who, with the aid of her lover, is blackmailing François; Maggy, his mistress who aids him in his illegal transactions; and Cécile, his fiancée, who is pregnant by another man. The women arrive, tension overwhelms them and the host, three of the women depart…and Francois is alone with his intended victim.’ – Les AdamsRead More »
Quote: Most of French director Albert Lamorisse’s films celebrate the miracle of flight, but few were as landmark as his 1956 short subject The Red Balloon. The story, told with a minimum of dialogue, concerns a little boy (played by the director’s son Pascal) who comes across a helium-filled balloon. As he plays with his new acquisition, the boy discovers that the balloon seemingly has a mind of its own. The little red orb follows its new “master” all through the streets of Paris, then dogs the boy’s trail into the schoolroom, which drives the teacher to comic distraction. Towards the end, it seems as though boy and balloon will be parted forever….but director Lamorisse has a delightful surprise in store for us. In an unusual move, The Red Balloon in its American TV premiere was introduced by Ronald Reagan as an episode of the CBS anthology G.E. Theater on April 2, 1961.Read More »
Orson Welles: The Territory of others is a treasure that must be cherished by future generations of film lovers as well as by those of today’s generation. All who see this movie will be touched and will find the presence of magic.
Daniel Deshays: If we had to defend the idea that creativity takes precedence over the cinematographic genre, it would suffice to show / listen to this animal film. It was built as we no longer know how to do it: sound and image together. The editor Jacqueline Lecomte plays with the composer Michel Fano who invents here his own language in a sound and musical hybridity. One of the first environmental films. A poetic universe that Orson Welles described as “treasure to cherish by generations of future moviegoers”.Read More »
On a road in Haute-Provence, Francis meets up with a young musician, Samuel. They strike up a friendship and decide to stay at a mountain hotel, managed by an attractive young woman called Anna. Whilst Francis takes Anna as his mistress, Samuel organises card games with the locals. When they realise he has been cheating, his fellow gamblers break his hands. After he has been driven to kill an old woman, Samuel flees….Read More »