France

Synopsis by Sandra Brennan
This youthful drama centers on a group of teens struggling to become adults without losing their youthful aspirations. It begins as Caron leaves the pressure of her home life for Venice in hopes of finding spontaneity and fun. She is followed by her boyfriend Lebas and his friend Cluzet. Lebas hopes that he will convince her to go home. Trouble begins after his car and her stuff are stolen in Italy. When they learn that workers and students have been rioting in Paris, they quickly return, eager to join the fray.Read More »

Synopsis:
A deserted pond, two lonely children fall under the spell of this wild place that, little by little, draws them closer to each other and gives them the strength to cope with life. Seen through their eyes, and through their imaginations, the pond becomes a secret kingdom, both marvellous and frightening, thronging with creatures born from dreams or nightmares. The children experience an initiation, brief and intense, from which they will emerge transformed.Read More »

Synopsis
The Marquise de Montespan is a scheming adventuress who hopes to become the favoured mistress to King Louis XIV of France to advance her social status. However, she is thwarted by the young Angélique de Fontanges, who is the King’s current favourite. Out of desperation, the Marquise de Montespan engages the services of a professional poisoner, the venomous La Voisin, to render her rival ugly. The potion unfortunately kills the young Angélique, and the royal court is thrown into turmoil…Read More »

Je, tu, elles… (ou Elles plus elles) (1969) is a french movie from Peter Földes, released on TV but never in theaters.Read More »

A beautiful summer day. A garden. A terrace. A woman and a man sit at a table beneath the trees, with a soft summer wind. In the distance, in the vast plain, the silhouette of Paris.
A conversation begins: questions and answers between the woman and the man. It deals with sexual experiences, childhood, memories, the essence of summer and the difference between men and women. It illustrates both, feminine perspective and masculine perception.
In the background, inside the house that opens onto the terrace, on the woman and the man: the writer, in the process of imagining this dialogue and typing it down. Or is it the other way around? Might it be that those two characters over there tell him what he’s putting down on paper: a long, final dialogue between a man and a woman?Read More »

André Labarthe part à la recherche de Godard et de son “Voyage(s) en utopie”, installation inachevée du cinéaste au Centre Georges- Pompidou en 2006. Le film crée l’illusion d’une discussion entre les deux hommes. Extraits de films et entretiens composent ce voyage passionnant dans le temps et l’oeuvre godardiens.Read More »

Jonathan Rosenbaum from Essential Cinema: On the Necessity of Film Canons (2004), pp. 236-237:

Within my experience, Ruiz is the least neurotic of filmakers; he doesn’t even seem to care whether what he’s doing is good or not (and, as he’s aptly noted, bad work and good work generally entail the same amount of effort). No single film functions as the be-all or end-all of an evolving career but merely as part of an overall process. Example: the 1985 Régime sans pain — one of his films most influenced by his friend Jean Baudrillard, and perhaps the one that most calls to mind grade-Z SF — grew out of a commission to direct a music video. Ruiz offered a counterproposal that he direct several music videos rather than one; once this deal was made, he shot enough material to interconnect the various videos until he arrived at a feature.Read More »

This anthology helmed by four talented filmmakers, Claude Chabrol, Jean-Luc Godard, Hiromichi Horikawa, and Roman Polanski, allows viewers to meet and observe four international con artists. Each story is set within a different city. “Amsterdam” follows the attempts of a seductive Dutch woman to entice an elderly man into buying her an expensive necklace in exchange for sex. He does, and she immediately runs away and uses the bauble, not realizing that it is worth a fortune, to purchase a parrot. In “Paris,” a con man sells a tourist rube the Eiffel Tower.Read More »

In the countryside near Normandy’s beaches lives Marie, unhappy. It’s 1944, she’s married to Jérôme, a somewhat fussy milquetoast, diffident to the war around him and unwilling to move his wife to Paris, where she longs to live, shop, and party. A German outfit is bivouacked at Jérôme and Marie’s crumbling château because its commanding officer is pursuing Marie. She’s also eyed by a French spy working with the Allies as they plan D-Day. He woos her (posing to the Germans as her brother) and, in his passion, forgets his mission. Heroics come from an unexpected direction, and Marie makes her choice.Read More »