France

Though a piece of meat figures in this film the real subject is, before you judge something not just a steak, think twice, as for instance the way two people in a situation present themselves to each other.Read More »

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In the eighteenth century, Casanova, known for his taste for fun and play, arrived in London after having to go into exile. In this city of which he knows nothing, he meets several times a young courtesan, the Charpillon, which attracts him to the point of forgetting the other women. Casanova is ready to do anything to achieve her ends, but La Charpillon always escapes under the most diverse pretexts. She challenges him, she wants him to love her as much as he wants.Read More »

Detective Marco is assigned to investigate a murder that has occurred at an exclusive boarding school for adolescent girls. The victim is a popular, wealthy girl found strangled in her bed. The school director tells Marco she expects him to find the killer outside of the school, and she bristles at his insistent interrogations of the school staff and the students. Marco learns that two sadistic games were played the night of the murder and that the victim had been tied up. There are a number of suspects, including a teacher with an unnatural affection for one of the girls; a suspicious Spanish gentleman at the town-inn, and some of the pupils themselves.Read More »

In an hour’s chat with two French interviewers, Sternberg laments the failure of critics and the public to truly understand his work.Read More »

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Part of the French TV program – Cineartists of Our Time. In 1964, film critic and filmmaker André S. Labarthe, together with Janine Bazin, widow of influential film theorist André Bazin, approached the French television channel ORTF about starting a program that would resemble the long, in-depth interviews with film directors that magazines such as Cahiers du cinéma and Positif regularly published. ORTF gave the green light, and Cinéastes de notre temps (Filmmakers of Our Time) was born. Many of the programs were dedicated to older directors, then in retirement or in the final stages of their careers. Instead of TV journalists, Labarthe and Bazin would often ask well-known film directors to make these programs: thus, Jacques Rivette on Jean Renoir, or Jacques Rozier on Jean Vigo, etc Read More »

In 1955, Éric Rohmer published a series of articles entitled Le Celluloïd et le Marbre in the Cahiers du cinéma. He made a controversial and disenchanted survey of the 20th century, to better enhance by contrast the true modernity of cinema. Ten years later, Rohmer uses this principle in a film where he asks a number of contemporary artists to situate their art in relation to cinema.Read More »

Investigating the relationship between the individual and the collective in this personal filmed journal, the director interviews an assortment of different people.Read More »

Christmas 1887. In a Parisian mansion, Douce, the bored daughter of an aristocratic family, nurtures a secret passion for Fabien, who manages the estate. But Fabien is the lover of Irène, Douce’s governess, and plans to elope with her using money stolen from the family. Meanwhile, Douce’s father, a widower, has also fallen in love with Irène, and his proposal of marriage sets in motion a train of events with tragic consequences…Read More »

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A man in his early thirties returns to the rural farm of his childhood and rejoins the family struggle to get by.Read More »