In a vast windswept landscape, Cochise and Gilou, two inseparable bounty hunters, are on the search for a stolen phone containing some sensitive information. On the way, they cross paths with Esther and Willy, a couple on the run. They arrive in a small isolated town inhabited by deadbeats and failures. Is it possible that, in this godforsaken place, that they will discover the best in human nature?Read More »
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A propaganda film produced by the French Communist Party (PCF) for the campaign for the May 1936 elections – which brought the Popular Front to power – “La vie est à nous”, by Jean Renoir, was shot by a team of militant filmmakers and technicians.Read More »
Dedicated to Bruce Baillie and Hollis Frampton.Read More »
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A drifter in his 20s, having just walked 10 miles through the desert, comes upon a diner/filling station and helps himself to the water pump; the diner’s proprietress, an older woman–possibly mad–welcomes the young man in believing him to be her long-lost son Rocky, a volatile kid who apparently left his mother and sister four years ago after a family row. Unpredictable bughouse melodrama, a French-Italian co-production shot in the Canary Islands, which lends to the story’s netherworld atmosphere. Well-directed by Georges Lautner, who also co-adapted the screenplay with Jack Miller and Pascal Jardin, from the novel “Sur la Route de Salina” by Maurice Cury. Read More »
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From a plastic bowl to petroleum, we trace back through the complete industrial process that leads to the manufacture of plastic objects. The force of the commentary composed in alexandrine verse by Raymond Queneau matches the wide screen of CinemaScope proportions.Read More »
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Agnès Varda and JR have things in common: a passion for and the exploration of images in general, and more precisely, for places and for ways of showing, sharing, and exhibiting them. Agnès chose cinema. JR chose to create open air photography galleries. When Agnès and JR met in 2015, they immediately wanted to work together, to shoot a film in France, far from cities, during a trip in JR’s photographic (and magical) truck. Through chance encounters and prepared projects, they reached out to others, listening to them, photographing them, and sometimes putting them on posters. This film also tells the story of Agnès and JR’s friendship, which grew stronger throughout the film shoot, between surprises and teasing, and while laughing about their differences.Read More »
1577. The Mother Superior at the convent of Archangel is seriously ill. The determined and calculating Mother Giulia plots to become the next Mother Superior. She receives tough competition from tormented lesbian Sister Chiara and the lusty Sister Carmela.
The unholy nuns at Sant’Arcangelo Convent will do anything to succeed their dying Mother Superior. Corruption, lust and Catholic-guilt galore in this sumptuous and erotic Italian ‘nunsploitation’ classicRead More »
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Jean Valjean (Jean Gabin) is paroled after serving 19 year term in a hard labor prison for stealing some bread. After spending a night in a missionary, he tries to steal some silverware, but he is set straight by a kindly bishop (Fernand Ledoux) who protects him from the police and gives him a set of expensive candlesticks and makes him promise that he has to become a new man that day. Nine years later, Valjean is now a wealthy industrialist and a mayor.Read More »
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Sombre, as Grandrieux’s first feature film, establishes some of the important characteristics of his art: An insistence on vision, with characters beyond psychologies, driven by biology or metaphysical forces.
Love (a mix of brotherly and sexual Love, a true awareness of the other, a communion) mostly overrules all, and its discovery by Jean creates waves that emanate in every shot, every cut and every sound in the rest of Sombre.Read More »