Candy is a 1968 sex farce film directed by Christian Marquand based on the 1958 novel by Terry Southern and Mason Hoffenberg, from a screenplay by Buck Henry. The film satirizes pornographic stories through the adventures of its naive heroine, Candy, played by Ewa Aulin. It stars Marlon Brando, Ewa Aulin, Ringo Starr, John Huston and Enrico Maria Salerno. Popular figures such as Sugar Ray Robinson, Anita Pallenberg, and Florinda Bolkan appear in cameo roles.Read More »
A cinematic puzzle, Alain Resnais’ Last Year at Marienbad is a radical exploration of the formal possibilities of film. Beautifully shot in Cinemascope by Sacha Vierny, the movie is a riddle of seduction, a mercurial enigma darting between a present and past which may not even exist, let alone converge. The film stars Giorgio Albertazzi as an unnamed sophisticate attempting to convince a similarly nameless woman (Delphine Seyrig) that they met and were romantically involved a year ago in the same enormous, baroque European hotel. Read More »
Plot Outline: After a drug deal gone wrong, Bédé goes into hiding in the countryside at a reformative school for criminal youth. His location is found out, and he and the pupils have to protect themselves with whatever means they have.Read More »
Recovering all of the intertitles of the Battleship Potemkin, Jean-Marie Buchet substitutes for the images of the film various views that he himself shot and which are unrelated to the initial work, thus joining the technique of diversion widely recommended and applied by the Situationists.Read More »
After his father is sent to prison, a young boy, Pierrot, is adopted by the Noblet family, who own the Mimosas boarding-house on the French Riviera. Pierrot grows up to become a small-time crook and extorts money from his adopted family. He then becomes caught up in a frenzied love triangle with his mistress Nelly and the Noblet’s daughter Louise.Read More »
Following a series of films questioning commitment and politics in America and culminating with Milestones 1975, and a 1977 documentary on Lisbon’s Carnation Revolution, Scenes from the Class Struggle in Portugal, Robert Kramer moved to France with his family. The first film he made there was Guns, an intricate feature which echoed the paranoid films of 1970’s Hollywood. With Guns, Kramer continues his exploration of the militant psyche, while at the same time experimenting with different forms of narration.Read More »
Synopsis:
Imagine a slightly dilapidated three star hotel in the tenth arrondissement run by a very distinguished lady with moral fibre and panache, Mrs. Coppercage. Alongside tourists visiting Paris, Mrs. Coppercage rents three rooms to three women at a monthly rate. Each woman is marked by life, yet they go on as best they can, never closing their eyes to the world around them, or to the men who impatiently await them. Faubourg Saint Martin opens as a love story and ends like a song as shots ring out and punctuate the chorus.Read More »
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Staged in Algiers, the first Pan-African Cultural Festival was a momentous event, bringing together musicians and dancers from throughout the continent with many first-worlders joining in the jams. It was a moment of great postcolonial jubilation as representatives of national liberation movements converged on an Algeria that had gained its independence just seven years earlier. This energetic doc includes such luminaries of the moment as Amilcar Cabral, a writer who led the struggle in Guinea-Bissau; Miriam Makeba, the great African singer who was then married to Stokely Carmichael; Houari Boumédienne, Algeria’s military dictator; Stanislas Adotevi, the Benin philosopher who penned Negritude and Negrologists; and Eldridge Cleaver, who was living in Algiers, overseeing the Black Panther contingent at the festival. Klein’s coverage captures the astounding cultural mix, but also the militant resolve that permeated the gathering, making agit-appropriate correlations to the United States and its own colonial misadventure, the Vietnam War.Read More »
Droll French comedian Noel-Noel essays the title role in Le Pere Tranquille (The Quiet Daddy). Contrary to expectations, the star isn’t a secret father, but in fact the unknown head of a WW2 resistance movement. By playing the fool whenever the Nazis are around and about, Noel-Noel is able to conceal his double life and successfully carry out his various sabotage missions. This deft combination of comedy and melodrama builds to a particularly suspenseful climax. Le Pere Tranquille was directed by Rene Clement, who also helmed the classic “underground” film Battle of the Rails. (All Movie Guide)Read More »