

Study on the evolution and modernization of public libraries and media libraries.Read More »
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Wild Reeds (Les Roseaux Sauvages) 1994- André Téchiné’s coming-of-age drama, set in a quiet provincial town in 1962, is the best French film in years. The young characters are all deeply confused about their political, intellectual, and sexual identities; the director sets up their conflicts with masterly ease, and, using smooth, complex tracking shots, carries them toward resolutions that are tentative but real. The movie flows like a river. Téchiné simply takes his characters from one point to another-from juvenile ignorance to a place where they can see themselves, and others, a little more clearly-and he makes that short journey look momentous. Few movies dealing with teen-agers have been so accurate about the moral and emotional urgency of adolescents’ attempts to understand their lives, or so forgiving of their failures. Gaël Morel, élodie Bouchez, Stéphane Rideau, and Frédéric Gorny play the main characters, and they’re all terrific.Read More »
Synopsis
SK1 is French police jargon for “Serial Killer 1,” the codename given in the 1990s to a rapist and murderer who preyed on young women in eastern Paris. Nicknamed “The Beast of Bastille,” the culprit, later identified as Guy Georges…Read More »


Influenced and inspired by Jean-Luc Godard, some young french directors (Jean Eustache, Francis Leroi, Jean-Michel Barjol, Romain Goupil, Luc Moullet) are talking about their problems in producing less expensive and more free films in the french industry of cinema of the 60’s.Read More »


A ghostwriter hired to complete the memoirs of a former British prime minister uncovers secrets that put his own life in jeopardy.Read More »
Synopsis
Soon after the Great War, the Provence village of Salezes gets a new boys’ teacher: Mr. Pascal, a war hero with a diploma from a teachers’ college. He rejects old methods: boys’ sitting still with arms folded memorizing facts. He uses modern methods: he becomes their guide…Read More »
On the stage of Paris’s legendary Opéra Bastille, 30 dancers from non-traditional genres reprise and remix Jean-Philippe Rameau’s baroque masterpiece Les Indes galantes, offering a dynamic take on the landmark opera.Read More »


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Vincent, a twenty-five year-old intern, lives in Rennes with his mother and his eighteen-year-old brother Bernard. In order to cheer up Bernard who has just failed his baccalauréat exam, the father invites him and his older brother to spend a holiday in his villa in Morocco, where he lives estranged from his ex-wife. Vincent and and Bernard decide to get there by sailboat, accompanied by Geneviève, Vincent’s fiancée. Vincent, who has never forgiven his father for leaving him when he was a child, remains hostile and withdrawn. Once in Agadir, they take part in a regatta during which Bernard gets to know Monika, a sexy uninhibited girl. But Monika is actually attracted to Vincent who, despite his dislike for any compromise of principle, finds himself torn between two women.Read More »


In Venice, a failed and alcoholic musician attends the concert of his teenage son, a precocious conductor who has never met him. Three years after “Prélude à la gloire”, in order to confirm the aura of child star Roberto Benzi, this new film embroiders a fictional story around filial bonds and the father’s remorse. While Roberto Benzi, as impressive as a conductor as he is a poor actor, does what he can, Jean Marais, leaving for the first time his usual part of young leading man, is quite impressive. With the help of excellent supporting actors: Fernand Sardou, Edouard Belmont and Jacqueline Porel, he allows the film to rise above its condition of melodramatic and conventional work. The direction of Georges Lacombe, sober and elegant, does not fail. The film, although less successful than its predecessor, is famous for having generated a good number of musical vocations among the young people of the time.Read More »