Synopsis wrote:
Marie lives with Antoine, but while he is away she meets Paul, a filmmaker visiting from Canada. Paul is instantly smitten and wants her to marry him. She puts him off by saying that she and Antoine have decided to have a baby. When Antoine returns, he becomes vividly jealous of his girlfriend’s chaste encounter, which provokes her into having an affair with Paul.Read More »
A portmanteau film in which the producer, instead of as usual using already well known directors with a commercial draw, allowed five new young directors to each have a crack at an episode about romance.Read More »
A collection of 11 short poetic psycho-geographic portraits of cities and spaces from artist Dominique Gonzelez-Foerster, who’s cinematic 2007 solo show at Musée dArt moderne de la Ville de Paris will be supplemented in 2008 by the Unilever commission for the Turbine Hall of London’s Tate Modern (joining Carsten Holler’s slides, Olafur Eliason’s sun, and Doris Salcedo’s crack amongst many other prestigious past projects).Read More »
Marker’s concern with war’s effect on civilians has been a feature of his work since the 1960s. This politically direct tape looks at the function of media for a viewership that has been stripped of a homeland. In the vandalized ruins of an army barracks in Roska, Slovenia, lives a community of Bosnian refugees. What they know of world events comes from a unique video workshop run by fellow refugees who pirate signals from CNN, Radio Sarajevo, and Sky News. The young production team, most of whom had no prior experience with program making, underline how the warring factions’ abuses of media make them suspicious of all news output; at the same time, they exhibit sincere aspirations to provide a genuine documentary of refugee life.Read More »
IMDB:
The history of the Entente Cordiale in the big and small picture, from 1898, when a French officer occupied the village of Fashoda, Sudan to 8 April 1904, when a series or agreements marking the rapprochement between England and France were signed. To this turnaround in public opinion corresponds a parallel evolution in the intimate feelings of two families, one English and the other French which will result in the French heir marrying the English daughter.
—Guy BellingerRead More »
Nicole Garcia’s film shows a family through an adult man’s figure, and his weekdays. The main character is one of the sons of an old and ill man who is in hospital nowadays. The father has 2 other sons too. Jean Paul visits his father all day. After he divorced his life is unexciting and troubled. He has a lot of dark suits, a good car, a big house but he has some debts, and his private life touch bottom. He has to call his brothers and ask them to help …Read More »
Marguerite Duras’s most celebrated work is a mesmerizing, almost incantatory experience with few stylistic precedents in the history of cinema. Within the insular walls of a lavish, decaying embassy in 1930s India, the French ambassador’s wife (Delphine Seyrig) staves off ennui through affairs with multiple men—with the overpowering torpor broken only by a startling eruption of madness. Setting her evocatively decadent visuals to a desynchronized chorus of disembodied voices that comment on and counterpoint the action, Duras creates a haunted-house movie unlike any other. (-criterion.com)Read More »
Inspired by Jacques Mesrine’s autobiographical book “L’Instinct de mort” – which he wrote in prison shortly before his magnificent final escape – Jean-François Richet’s fast-paced drama charts Mesrine’s rise from a wayward French soldier in Algeria to a bolder and bolder criminal on the streets of Paris. Mesrine’s outlaw odyssey even brought him to Canada, where he fell in with separatist radicals in Quebec. Thirty years after French police gunned him down in a spectacular shootout, his infamy lives on. Equal parts thriller and biopic, Mesrine remains faithful to its central character, a dynamic figure who is by no means a model protagonist.Read More »
