Very Particular Mistresses is a French pornographic film, released in French cinemas in 1980 under the signature of Burd Tranbaree (pseudonym of Claude Bernard-Aubert). It consists of scenes from an American film directed by Chuck Vincent and additional scenes shot in France.Read More »
Esther and André are a part of a group of young people. They have in common to go to the cinema, to speak about it often: they go to see films instead of making the other thing maybe. They love each other from time to time, the groups are made and come undone, cross themselves. Jean is except for in this band, he is in fact the only true cinema enthusiast. Come back from everything, he watches TV by thinking that, certainly, the cinema is buried well and truly.Read More »
A countess married to Russia’s envoy to the court of Louis XVI is a gambling addict and doesn’t seem to mind that she loses nightly at the card table.Until a mysterious count entrusts her with a dangerous secret.Read More »
The tender, malicious, audacious and perverted story of a young couple (Marianne Aubert and Guy Royer) who grow closer and whose sex-lives grow more intense when they decide to spice up their relationship by seeking out prospective participants for their wild sex games.Read More »
Quote: A propaganda film produced by the French Communist Party (PCF) for the campaign for the May 1936 elections – which brought the Popular Front to power – “La vie est à nous”, by Jean Renoir, was shot by a team of militant filmmakers and technicians.Read More »
When Robert agrees to keep an eye on his friend’s girlfriend, Jocelyne, while he is out of the country, she assures him that he’ll soon come to appreciate her “special talent” to convince any woman to join them for an intimate relationship.Read More »
Quote: “C’est un film simple sur des choses compliquées”, this is how J.L. Godard once described Le mépris : “It’s a simple film about complicated things.”Read More »
Jean-Paul Belmondo delivers a subtly sensual performance in the hot-under-the-collar Léon Morin, Priest (Léon Morin, prêtre), directed by Jean-Pierre Melville. The French superstar plays a devoted man of the cloth who is desired by all the women of a small village in Nazi-occupied France. He finds himself most drawn to a sexually frustrated widow—played by Emmanuelle Riva—a religious skeptic whose relationship with her confessor turns into a confrontation with both God and her own repressed desire. A triumph of mood, setting, and innuendo, Léon Morin, Priest is an irreverent pleasure from one of French cinema’s towering virtuosos.Read More »