France

A profound, powerful and yet unfinished opera, Moses und Aron ends with an admission of defeat: “”O word, thou Word that I lack!””, Moses’ last cry, is also the last phrase the composer has been able to set to music. Recounting the story of Moses, who has experienced the immensity of God, and of Aron, who tries to speak of it; casting doubt, with dodecaphonism, upon the adequacy of tonal and traditional musical language; Moses und Aron questions the possibility of a True Speech. Following in their wanderings the children of Israel, a stateless people lost in the desert and looking for signs and images, Moses un Aron symbolizes the challenges encountered by a community looking for her own identity, torn between spiritual ideal and material needs. Read More »

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A futuristic film set in a dystopian Cameroonian city vaguely reminiscent of the dystopian Los Angeles in Ridley Scott’s classic BladeRunner, Les Saignantes is shot in high contrast lighting in what seems to be one long continuous night. The throbbing bass soundtrack of the film underscores the pulse of its rapid, jump-cut, music-video style editing. The characterization of the future city is a pessimistic allegory of the contemporary nation in Africa. By the year 2025, nothing has progressed; rather the country is still ruled by abusive power-drunk leaders who promise contracts to their mistresses; the police still take bribes and have no authority to actually investigate the crimes of the rich and powerful. Near the end of the film the smooth woman’s voiceover, which has performed the narrator’s function throughout the film, intones “We were already dead.” Re-watching the film with these words in mind, one wonders if the film, set a few years ahead in the future in 2025, is not the portrait of the spiritual aftermath of nation that has already died.Read More »

Synopsis :
Catherine’s technique to sell her clocks is to blackmail illegitimate couples such as Jacques and Gisèle. However when Gisèle’s husband Pierre walks in on them, Catherine pretends to be Jacques’s lover to save the day. Jacques then gets caught up in her schemes when the next couple she deals with turn out to be jewel thieves who kidnap them.Read More »

Synopsis:
Etzel, the son of prosecutor Wolf Andergast, discovers that eight years ago his father condemned Léonard Maurizius to a life sentence in prison for the murder of his wife Elisabeth. The case made Andergast famous but Etzel knows that Maurizius’s conviction depended on the dubious testimony of a witness named Grégoire Waremme. Determined to find out the truth, Etzel tracks Waremme down to Zurich and discovers that the evidence he gave at the trial was not the whole truth…Read More »

Fatima-Zahra and her teenage son Selim move from place to place, forever trying to outrun the latest scandal she’s caught up in. When Selim discovers the truth about their past, his mother vows to make a fresh start. In Tangier, new opportunities promise the legitimacy they each crave, but not without pushing the volatile mother-son relationship to the breaking point. The Damned Don’t Cry combines melodrama and neorealism to tell the story of a mother-son relationship on the fringes, observing the effects of oppression – both economic and affective – in a cut-throat world. Borrowing its title from a 1950s Joan Crawford melodrama, The Damned Don’t Cry employs non-professional actors for its two main actors and almost the entire cast. In his second feature which premiered at the Venice Film Festival, writer-director Fyzal Boulifa manages to avoid pastiche while ‘readily embracing some of the formal elements of melodrama’ as he takes his inspiration from Pasolini’s Mamma Roma and Le notti di Cabiria.Read More »

A history of the French Revolution from the decision of the king to convene the Etats-Generaux in 1789 in order to deal with France’s debt problem. The first part of the movie tells the story from 1789 until August 10, 1792 (when the King Louis XVI lost all his authority and was put in prison). The second part carries the story through the end of the terror in 1794, including the deaths by guillotine of Louis XVI, Marie-Antoinette, Danton, and Desmoulins.Read More »

When intruders interfere in the robbery of Le Mataf (Michel Constantin) and his gang and a girl is murdered, they are set up for blackmail by an underworld figure who wants them to do a job for him…Read More »

In the film, Helen (Laure Dechasnel), a married woman, leaves Paris for Zurich after breaking up with her lover. Near the border, a fellow passenger, mistakenly takes her passport. This sets up a situation which plunges her into the midst of international intrigue, a violent struggle between multinational corporations abetted by national secret agencies. This production features such international stars as Joseph Cotten, Donald Pleasence, Dennis Hopper and Bruno Cremer.Read More »

Synopsis:
‘Kurt’ claims to be a sales rep. He also claims to be English in spite of his heavy Italian accent. Kurt is an habitual liar and a dangerous driver, at the very least. In the south of France he meets Léa, age 16. Between his increasingly strange dates with Léa, Kurt engages in a number of armed robberies, some successful, some not… The police are perplexed by a series of crimes including disappearances and a murder. They conclude that they are dealing with a madman… After he proposes, Léa breaks up with Kurt. The attempt to find a new girlfriend leads to a shooting by Kurt, now calling himself André. Léa’s information identifies Kurt/André as Roberto Succo, psychiatric patient and parental murderer. The police hunt for Roberto covers three countriesRead More »