Fantasy

Quote:
A journalist is assigned to interview an eccentric anthropologist who has exhumed the skeleton of Jörg Jenatsch, a revered freedom fighter who was mysteriously murdered in 1639. Initially disinterested, the journalist begins to uncover unflattering truths about the national hero and experiences visions in which he seems to be witnessing events that transpired over 300 years ago. As he obsessively pursues the investigation, his personal life and his grip on reality disintegrate, drawing him relentlessly toward the fatal carnival at which Jenatsch was killed.Read More »

A rare film by Juraj Jakubisko about the power of music.Read More »

Synopsis (thanks IMDb user jsanchez)
The old carpenter Geppeto manufactures in his workshop a wooden puppet that will soon come alive. For an hour the doll will live a thousand and one adventures: he will be judged, hanged, swallowed by a whale, taken prisoner by the Indians, saved by Canadian soldiers and, even, returned home mounted on a cannonball that flies through the sky.Read More »

Synopsis:
A young married physician out on a fishing holiday ends up being saved by a mermaid, who intends to keep him her prisoner. She then offers to release him if he will take her to see London, which leads to a number of humorous and romantic entanglements as the mermaid entices several unmarried men who live near the physician and his wife.Read More »

Quote:

8 1/2 weaves fluidly through the visually intoxicating landscape of Federico Fellini’s subconscious, seemingly to seek inspiration and validation for his life and work. In an opening scene that symbolizes much of Fellini’s films, a suffocating man, trapped inside his car, inexplicably begins to float into the skies, only to be abruptly tugged back to the ground. But it is also an indelible image that shatters any preconceived illusion of “typical” elements in a Fellini film. The film, 8 1/2, literally marks Fellini’s work on 8 1/2 feature films (the “1/2” derived from collaborative direction films), and proves to be a transitional film in his artistic career.Read More »

Quote:
In Shane Carruth’s 2004 debut feature Primer, two colleagues go down a physics rabbit hole to build a time machine. In the early stages of masterminding this scientifically-driven and disorienting experience, one character suggests to the other that the best mathematician is the lazy one—that those who excel usually find ways to solve problems quickly, easily and efficiently. The theory might also apply to watching Carruth’s own movies (his other, 2013’s Upstream Color, tackles the intersection of ecology and trauma), which don’t tether themselves to linear, coherent narratives. It’s tempting to get bogged down in the details and timelines of his feverish approach, but far more enjoyable—and yes, easier—to let his imagery and ideas overwhelm you, to process them later in reflection or on repeat viewings.Read More »

Synopsis:
People from all sorts of backgrounds set sail on a warship. They get drunk on alcohol, drugs and sex. Later, everyone grows tired and falls asleep, then the ship enters an unknown space enveloped in fog. In the morning, the people wake up to find the ship floating in the air.Read More »

Directors Hu, Li Hsing and Pai Ching-jui jointly produced “In Four Moods”, with Hu directing the second dazzling episode, “Anger” (1970). Thirteen years later, the three directed the trilogy “The Wheel of Life” (1983), focusing on three lives and three love affairs occurring at different times. Hu’s first episode, though short, was riveting.
“Zen and Sense in King Hu’s Films”Read More »

Synopsis:
Caveman Tumak is banished from the Rock tribe and joins the Shell Tribe until he is banished from them as well. One of their women, Loana leaves with him as they face the harsh prehistoric world.Read More »