The story follows an underground weapons manufacturer in Belgrade during WWII and evolves into fairly surreal situations. A black marketeer who smuggles the weapons to partisans doesn’t mention to the workers that the war is over, and they keep producing. Years later, they break out of their underground “shelter” — only to convince themselves that the war is still going on.Read More »
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Peter Greenaway’s “Prospero’s Books” is not a movie in the sense that we usually employ the word. It’s an experiment in form and content. It is likely to bore most audiences, but will enchant others — especially those able to free themselves from the notion that movies must tell stories. This film should be approached like a record album or an art book. Each “page” is there to be studied in its complexity and richness, while on the soundtrack we hear one of the great voices in theater history, John Gielgud’s.Read More »
Synopsis
Suzan died 25 years ago. But after seeing his son’s loneliness and despair in the world, he had to return to the world at the end of these 25 years. The world he left is completely different from the world he finds. Suzan suffers from a deep adaptation to this change. After a while, he realizes that he must adopt such a fit. The goal is clear: to regulate the life of his son. This goal will have other benefits.Read More »
Synopsis
The adventure of Melissa and Gustavo starts aboard a red cargo ship crossing the Atlantic Ocean. It takes them to Berlin, a city of constant movement, where the old has to give space to the new. The couple finds a home and transforms it into the center of their own universe. As time passes and seasons change, life and cinema become one and their room becomes an ever-changing stage, where friends are invited to play their own roles. In this state of transition Melissa and Gustavo lose sight of their path and their world starts to tremble. Until one day a cosmic portal appears in their home opening connections between the past, the present and the future, confronting the two travelers with extraordinary discoveries. MUITO ROMÂNTICO is a stream that carries along hearts and minds. A playful rearrangement of experiences, memories and fantasies into a journey transcending space and time.Read More »
The traditional nature of this kaidan, or Japanese ghost story, is underscored by the fact that it is based on a tale by Encho Sanyutei (1839-1900) — an author and performer of the late Edo-early Meiji period. His popular story “Botan Doro” has been the subject of some 18 film adaptations, this one being the first of the “modern” period. Sanyutei’s story was itself an adaptation of a traditional Chinese folktale that has a long history of re-telling and performance, especially in the form of kabuki theatre. It entered Japanese culture in the 1600s and became one of that country’s most loved kaidan, fusing romance, sexual politics and terror into an emotionally potent drama.Read More »
Adapts the Basque legend of Atarrabi and Mikelats, the tragic story of the sons of goddess Mari-Mother Earth- who are given to the devil for him to raise them.Read More »
Boleslav Polivika stars as Slach the Jester in this metaphorical comedy fantasy. Slach is the caretaker of an abandoned Bohemian castle that is rented out to wealthy visitors during deer-hunting season. The German Konig (Jiri Kodet) and his French fiance Regina (Chantal Poulainova) arrive with flair in a white Mercedes. Slach imagines himself as a medieval court jester while the local villagers regard him as a simple buffoon. He imagines that Konig is the King and Regina the Queen, and Slach is seductively drawn to the Queen and does her bidding until she orders a beheading. Scenes shift between the present and the medieval court of the increasingly sadistic Queen. The gifted actor and playwright Polivika has parlayed his theatrical role into a successful film to make this one of the most popular of Czech features in 1988. ~ Dan Pavlides, All Movie GuideRead More »
Plot Synopsis:
After Eun-jo ends her tenancy of Il Mare, a posh house on a lake, she writes to the new tenant asking for her correspondence to be forwarded. When the tenant replies, Eun-jo discovers that his letter is dated 1997, two years before she contacted him, and that he is the original owner of the property.Read More »
On their way back from a wild party, Arineh and Nobahar cause a car accident. A mysterious stranger by the name of Toofan offers to cover the costs. This won’t be the last time they’ll cross his path over the course of the night. Cars form a popular setting in Iranian cinema. They move through the public sphere, yet their occupants remain among themselves. But what happens if a policeman suddenly gets into your vehicle, finds black market DVDs and forces you to admit, tipsily, that Argo is a film hostile to Iran? This road movie through Tehran by night begins as a hyperactive, drugged-up farce that pokes fun at the authorities, interprets the cultural history of Western toilets, and postulates other daring intercultural theories. Yet gradually the atmosphere changes and tension steadily rises in the car, thanks to Toofan, who keeps appearing again and again out of the blue. He plays a diabolical game with the two friends, one that crosses the boundaries into the metaphysical realm. As fanciful and spooky as the plot may seem, it is clearly anchored in Iran’s present.Read More »