

A young man falls in love with a beautiful woman being chased by sinister masked figures at night. He tries to track her down, and learns she’s being held captive by his father and colleagues who believe she’s a vampire.Read More »


A young man falls in love with a beautiful woman being chased by sinister masked figures at night. He tries to track her down, and learns she’s being held captive by his father and colleagues who believe she’s a vampire.Read More »


A man rehearses a lecture he is planning to give, analyzing serial killers. He claims that a woman is soon to be murdered in the city. It is inevitable, he explains, as some people are born victims while others are born to kill. He plans to identify the future victim through a series of photographs of violent acts.
Fashion model Gim, played by iconic Spanish actress Teresa Gimpera, finds herself alone in a Barcelona that seems almost deserted. She seeks out her lover, Alvaro, for help. On her way to meet him she is harassed by a series of men and followed by a huge and menacing silver truck with blacked out windows. Through a loud speaker on the truck a mechanical voice orders all persons to leave the city immediately.
Gim finds that Alvaro’s former girlfriend, Miriam, is staying in his house having just returned from London where a terrible but unexplained event occurred. In Alvaro’s “art chamber”, an obviously disturbed Miriam finds a large knife disguised as a metallic silver fish.Read More »


The all-female Heroic Trio are Tung (Wonder Woman), Chat (Thief Catcher), a mercenary, and Ching (Invisible Woman). Initially, they’re on opposing sides – the invisible Ching is kidnapping newborn male babies for her evil master, Tung is trying to solve the crime (rather more effectively than her policeman husband, who is unaware of her secret identity), and Chat, who was formerly employed by Ching’s evil master, is trying to sell her services and inside knowledge to the police. But all three have something in common buried deep in their past…Read More »


A gang of pirates rape the two sole survivors of a ship wreck. The violated girls are rescued by the strange inhabitants of a supposedly haunted island, where they are granted supernatural powers to strike revenge against the pirates.Read More »


Synopsis:
John and his class go on a school trip to the Tower of London. While he is there he loses his pet mouse and vows to return and find her later. Back in school, he is not very attentive and falls asleep during a lesson about electricity so his teacher sends him home. On the ‘tube’ there is a sudden flash, and John, the train and all of the passengers turn yellow. With the help of Nick (short for ‘Electronic’) John learns about electricity, invades the Tower of London and saves his pet mouse … or was it a dream. This is the Powell & Pressburger touch applied to children’s films.Read More »


Quote:
A magnificent spectacle. A truly filmic version of a classic opera. Often mentioned as a favourite movie and constant inspiration for young Martin Scorsese.
With the audacity that Powell & Pressburger were famous for we are presented with a wonderful performance of a truly “composed” film. All the soundtrack was recorded by Sir Thomas Beecham and the Royal Philharmonic Orchestra and then the filming was all done on the open stage (it didn’t need a sound stage) at Shepperton.Read More »


Quote:
“A Princesinha das Rosas”, maybe the most known of the series, and is about Naíde, a girl born from the union between a fisherman and a mermaid, adopted by monarchs of a country with no heirs, but to whom the call of the waters will inevitably attract. Noémia films the story with a naïve simplicity that accentuates the film’s dark fairytale tone.Read More »


Quote:
The concluding part of Pier Paolo Pasolini’s “Trilogy Of Life”, following The Decameron and The Canterbury Tales, Arabian Nights corrects many of the mistakes found in the latter, noticeably its ramshackle, uneven approach, and returns to the charming territory of the former. Indeed, the film is as good as The Decameron, if not better, and is generally considered to be the trilogies crowning moment and one of Pasolini’s finest films (critic Tony Rayns recently included it amongst his choices for Sight and Sound’s 2002 Top Ten Critics’ Poll).Read More »


Late 18th century, Tohoku. An outcast girl, Rin lives in a village suffering from famine. She draws strength from Mt. Hayachine, where the spirits of humans ascend after passing.Read More »