Experimental

  • Su Friedrich – Rules of the Road (1993)

    Su Friedrich1991-2000ExperimentalUSA
    Rules of the Road (1993)
    Rules of the Road (1993)

    Quote:
    Rules of the Road tells the story of a love affair and its demise through one of the primary objects shared by the couple: an old beige station wagon with fake wood paneling along the sides. A typical American family car for an atypical American family, it provides the women at first with all the familiar comforts. But when their relationship ends, the car becomes the property of one woman and the bane of the other’s existence. Even long after their separation, this tangible reminder of their life together–and thousands of its imitators–continues to prowl the streets of the city, haunting the woman who no longer holds the keys either to the car or the other woman’s heart. Read More »

  • Harun Farocki – Stilleben AKA Still Life (1997)

    1991-2000DocumentaryExperimentalGermanyHarun Farocki
    Stilleben (1997)
    Stilleben (1997)

    According to Harun Farocki, today’s photographers working in advertising are, in a way, continuing the tradition of 17th century Flemish painters in that they depict objects from everyday life – the “still life”. The filmmaker illustrates this intriguing hypothesis with three documentary sequences which show the photographers at work creating a contemporary “still life”: a cheese-board, beer glasses and an expensive watch.Read More »

  • Julian Cole – Ostia (1987)

    1981-1990DramaExperimentalJulian ColeQueer Cinema(s)United Kingdom
    Ostia (1987)
    Ostia (1987)

    Quote:
    Pier Paolo Pasolini takes up with a young man and journeys to Ostia, and his death.

    Quote:
    Ostia is a fascinating short film directed by Julian Cole and produced for the Royal College of Art, which reconstructs the events leading up to the murder of Pier Paolo Pasolini. Ostia relocates the proceedings to London and stars Derek Jarman as Pasolini. The film features an evocative dream sequence which is accompanied by poignant excerpts from Pasolin’s own poetry, as read by Jarman.Read More »

  • Maya Deren – Meditation on Violence (1949)

    Maya Deren1941-1950ExperimentalShort FilmUSA
    Meditation on Violence (1949)
    Meditation on Violence (1949)

    A young Oriental man with a headscarf and bare torso shadowboxes indoors in front of a series of unadorned walls, light, dark, both shades. He is then shown exercising outside with a sword in an area surrounded by a low stone wall and overlooking a river, before there is a return to the first sequence.Read More »

  • Damien Cattinari – Trois Rives AKA Three shores (2023)

    2021-2030Damien CattinariDocumentaryExperimentalFrance
    Trois Rives (2023)
    Trois Rives (2023)

    Three shores is the portrait of an imaginary river. By crossing it, from east to west, or by making a detour to the south, from red to green, from the undergrowth to the city, to its industrial zone: the film attempts to map the functioning and organization of our society through the time of flowing water.Read More »

  • Ana Hatherly – Revolução AKA Revolution (1975)

    1971-1980Ana HatherlyDocumentaryExperimentalPortugal
    Revolução (1975)
    Revolução (1975)

    In celebration of the 50th anniversary of the 25 de Abril revolution.
    50 years of freedom.

    Fátima Rolo Duarte wrote:
    The speed of each image sewn together with the speed of each image in the blink of an eye. For what is worth, memory remains intact after all. The walls turn outwards, emerge from the darkness, vibrate. Sound accompanies things, signs, seemingly disordered fragments. Ana Hatherly is the director-weaver of this monument in honor of the immediate 25th of April. Alive, crazy and praised for its vertiginous editing, “incoactive mosaics”, to use a felicitous expression by Marie-José Mondzain. Read More »

  • Claudine Eizykman – Bruine Squamma (1977)

    Claudine Eizykman1971-1980ExperimentalFrance
    Bruine Squamma (1977)
    Bruine Squamma (1977)

    Movie’s themes : French experimental of the 70’s, Time

    Quote:
    “Claudine Eizykman’s Bruine Squamma (bruine: a kind of mist which absorbs and reflects light, and squama: a sliver of the epidermis which is shed from the skin), is impressive for the way it is organised and its jamming of a series of sporadic images, infinitely repeated and varied, with no narrative impulse whatsoever. Nothing but flashes, explosions, extinctions, splashes of images which succeed one another, shift forward or back, are superimposed, as in a game of transparent cards.”
    Boris Lehman in La relève, 25/11/77.Read More »

  • Claudine Eizykman – V.W. Vitesse Women (1974)

    Claudine Eizykman1971-1980ExperimentalFrance
    V.W. Vitesse Women (1974)
    V.W. Vitesse Women (1974)

    Quote:
    One of the most important films of French avant-garde cinema, displaying Claudine Eizykman’s theory of “cinematographic energy” as well as creating kinetic movements capable of shaking up the world and revealing its heterogeneity.Read More »

  • Jan Nickman – The Mind’s Eye (1990)

    1981-1990AnimationExperimentalJan NickmanUSA
    The Mind's Eye (1990)
    The Mind’s Eye (1990)

    Quote:
    The Mind’s Eye is a compilation of experimental computer animations from when such technology was in its early infancy. The animations are from various studios, having been arranged in a sort of “2001” evolution-timeline theme, and set to synthesized music. These pioneering CGI projects later gave rise to films such as Toy Story, A Bug’s Life, Antz, and Shrek.Read More »

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