Experimental

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Lawrencia Bembenek was a beautiful bride, a 22-year-old blonde who had worked as both a policewoman and a Playboy bunny, when she was arrested in Milwaukee for the murder of her husband’s ex-wife. Though the evidence was circumstantial and none of it implicated Miss Bembenek directly or exclusively, she was sentenced to life in prison. Her husband, who had expressed resentment over having to support his ex-wife, sought a divorce soon after his wife’s conviction. ”Dear Lawrencia,” he wrote to her. ”Goodbye. Good luck – Fred.”Read More »

SYNOPSIS
A young woman abandons her fiancé at the altar, rejecting the bourgeois world he represents. She runs away with another man, leading a libertine life filled with a variety of experiences and without the slightest inhibition.Read More »

An androgynous poet/dreamer sits and writes and meditates on the aching void that is her life.Read More »

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A hundred and fourteen famous Iranian theater and cinema actresses and a French star: mute spectators at a theatrical representation of Khosrow and Shirin, a Persian poem from the twelfth century, put on stage by Kiarostami. The development of the text — long a favorite in Persia and the Middle East — remains invisible to the viewer of the film, the whole story is told by the faces of the women watching the show.Read More »

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Anarchic collage on Titoism and Stalinism, totalitarism and undeground arts, Fascism and Socialism. A minor narrative line tells about a bearded anarchist filmmaker whose Croatian- American girlfriend keeps on singing country songs – one of them entitled Plastic Jesus. When she leaves him, he finds another woman and gets into trouble with the police. Influenced by the Yigoslav Black Wave of the late 6o’s, especially by Dušan Makavejev’s W.R. – Mysteries of the organism, Stojanovićs film marks a free spirit, connected with sarcastic criticism on the socialist leaders of it’s time which is specially dome by a subversive use of certain archive material. [Zagreb Film festival 2006, festival catalogue]Read More »

Let Each One Go Where He May
Ben Russell
2009
2hr. 13min.

Chicago-based filmmaker Ben Russell has gone international with Trypps – a series of short, mesmerizing films loosely interpreting the notion of “trip,” from literal, geographic journeys to ecstatic music-induced highs, variations of trance and spasmodic filmic episodes. Along with Tjüba Tën/The Wet Season (co-directed by Brigid McCaffrey), his medium-length experimental documentary shot in Suriname, and his live projector performances, Russell’s body of work displays an ever-increasing interest in cinematic anthropologies.Read More »

Lynch’s short from Cannes 2007.
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Lust: 12 sexy short brings to light a wide range of cutting-edge films from 8 different countries that takes a humoristic look at the search for pleasure. It’s a discovery of a wide range of low-budget film-making styles that strolls us through a frenetic world that begins with sex for some and ends in separations for others. These films portray experiences that dissolve into a blurry vision of love. Lust is an incomplete inventory – who could pretend otherwise !! – of the different strategies of attack and defense within the permanent struggle against loneliness. Lust shows us a world where although the rules are simple, the winner never adheres to them. (-Lowave)Read More »

Rotterdam 2009: Guy Maddin Will “Send Me To the ‘Lectric Chair”
By R. Emmet Sweeney on 01/29/2009
Guy Maddin, courtesy of the International Film Festival Rotterdam, 2009

Guy Maddin is a hoarder of uncanny images, from the candy-colored Alpine tableaus of “Careful” to the frozen horse heads of last year’s “My Winnipeg.” A commission from the Rotterdam Film Festival centers around another: Isabella Rossellini blasted out of an electric chair.Read More »