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A parallel film to Vilgot Sjöman’s controversial I Am Curious-Yellow, I Am Curious–Blue also follows young Lena on her journey of self-discovery. In Blue, Lena confronts issues of religion, sexuality, and the prison system, while at the same time exploring her own personal relationships. Like Yellow, Blue freely traverses the lines between fact and fiction, employing a mix of dramatic and documentary techniques. Criterion is proud to present Vilgot Sjöman’s infamous I Am Curious-Blue.
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Experimental
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Vilgot Sjöman – Jag är nyfiken – en film i blått AKA I am Curious (Blue) (1968)
1961-1970Amos Vogel: Film as a Subversive ArtArthouseExperimentalSwedenVilgot Sjöman -
Vilgot Sjöman – Jag är nyfiken – en film i gult AKA I Am Curious (Yellow) (1967)
1961-1970Amos Vogel: Film as a Subversive ArtArthouseExperimentalSwedenVilgot SjömanSeized by customs upon entry to the United States, subject of a heated court battle, and banned in numerous cities, Vilgot Sjöman’s I Am Curious–Yellow is one of the most controversial films of all time. This landmark document of Swedish society during the sexual revolution has been declared both obscene and revolutionary. It tells the story of Lena (Lena Nyman), a searching and rebellious young woman, and her personal quest to understand the social and political conditions in 1960s Sweden, as well as her bold exploration of her own sexual identity. I Am Curious–Yellow is a subversive mix of dramatic and documentary techniques, attacking capitalist injustices and frankly addressing the politics of sexuality. Criterion is proud to present Vilgot Sjöman’s infamous I Am Curious-Yellow.
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Jay Rosenblatt – Human Remains (1998)
1991-2000DocumentaryExperimentalJay RosenblattUSAQuote:
Human Remains is a haunting documentary which illustrates the banality of evil by creating intimate portraits of five of this century’s most reviled dictators. The film unveils the personal lives of Adolf Hitler, Benito Mussolini, Joseph Stalin, Francisco Franco and Mao Tse Tung. We learn the private and mundane details of their everyday lives — their favorite foods, films, habits and sexual preferences. There is no mention of their public lives or of their place in history. The intentional omission of the horrors for which these men were responsible hovers over the film.Human Remains addresses this horror from a completely different angle. Irony and even occasional humor are sprinkled throughout the documentary. This darkly poetic film is based entirely on fact, creatively combining direct quotes and biographical research. Though based on historical figures, Human Remains is contemporary in its implications and ultimately invites the viewer to confront the nature of evil.
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Ernie Gehr – Side/Walk/Shuttle (1991)
1991-2000ArchitectureErnie GehrExperimentalUSAQuote:
The initial inspiration for the film was an outdoor glass elevator and the visual, spatial and gravitational possibilities it presented me with. The work was also informed by an interest in panoramas, the urban landscape, as well as the topography of San Francisco. Finally, the shape and character of the work was tempered by reflections upon a lifetime of displacement, moving from place to place and haunted by recurring memories of other places I once passed through.“… Gehr gives us an expansive view of the relationship between architecture, city streets and the movement on them, the medium of cinema, and patterns of thought.” – Fred Camper, Chicago Reader, February 17, 1995
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Various – Alternativni Filmovi u Beogradu [Experimental Shorts] (1950-1990)
Short FilmAnimationExperimentalVariousYugoslaviaThis is collection of 20 Serbian Experimental/Alternative short movies/animations.It’s released on DVD,but it’s hard to find .Read More »
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Júlio Bressane – A Agonia (1976)
1971-1980ArthouseBrazilExperimentalJúlio BressaneA murder and a future teller meet in a desert road. He, driving his chevrolet, a short-cut hair, a rosemary leaf held behind his ear, a yellow shirt of shiny satin. She, walking on the paved road, heavy red lipstick on, a flowery dress with a loose skirt, and red shoes matching the lipstick. He offers her a ride and, after hesitating for a moment, the two of them engage on a bizarr love affair, an outlaw love, where boredom many times gives way to tragedy, raising the agony of a holiday spent in the abyss. Agony originarily means a fighter who fights on the limit of his endurance.
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Ming-liang Tsai – Le Voyage en Occident (Xi You) aka Journey to the West (2014)
2011-2020ExperimentalFranceMing-liang TsaiThe face of an exhausted man breathing deeply, his face agitated and, nearby, the sea. A Buddhist monk walks barefoot and incredibly slowly through Marseille – so slowly, that his progress is barely perceptible and he becomes a calming influence in the midst of the town’s goings-on.
More like a performance or installation art project than an ‘art film’, “Le Voyage en Occident” (Xi you) is a follow-up to the 2012 short “Walker” or a kind of second segment, set in Marseille (South France – French Mediterranean coast).
Consisting of only 14 shots of varying lengths – from very brief to a centrepiece of approximately 20 minutes – the film shows two men, narratively unconnected, who finally come together in a sequence that shows off both actors’ physical skills and sense of timing.
Lee Kang-sheng, who features in all Tsai Ming-liang’s films, plays the monk with impressive energy. His uniform slow motion footsteps and devoted posture turn his performance into a veritable tour de force as he unswervingly makes his way from the coast to the market in Noailles (popular market with mixed communities people), like an illusion in his bright red robe. Xi You represents another edition of the director’s series of short films that expand Lee Kang-sheng’s thirty minute slow walking performance at Taipei’s National Theatre into a ‘slow walking expedition’. Unusual, brilliantly chosen camera angles provide a collage of various districts in Marseille, creating a hypnotic space in which this meditative peregrination becomes a surprising journey of discovery.Read More » -
Alexander Hammid & Maya Deren – The Private Life of a Cat (1944)
1941-1950Alexander Hammid and Maya DerenExperimentalMaya DerenUSAQuote:
Alexander Hammid’s intimate study of a female cat and the birth and maturation of her five kittens.Read More » -
Kyung-mook Kim – Eolgul eopnun geotdul AKA Faceless Things (2005)
2001-2010ExperimentalKyung-mook KimQueer Cinema(s)South Korea“David Bordwell” wrote:
Warnings about gay sadomasochism to the contrary, this doesn’t offer much you can’t see in Warhol or Waters. What it does provide is three shots. The first, nearly 45 minutes long, provides virtually a one-act play about a motel tryst between a businessman and his teenage lover. The second shot shifts us to an anonymous sexual encounter that is admittedly fairly off-putting, but handled with the mix of casual framing and off-kilter suspense we find in, again, Warhol. The very last shot is very brief and puts the other two into a new context.Read More »








