Quote:
This is a great little short from the back-catalogue of the 70s-80s Syrian art/experimental scene. It is a nine minute short about hands. Hands, and the things hands do. It’s handsomely edited to some hand-conducted orchestral music…Read More »
Qute:
It’s no surprise that in undertaking his first 3D project (one third of 3X3D, a triptych that also includes Peter Greenaway and Edger Pêra), Jean-Luc Godard would do so much that everything else yet shot in the format looks meager and infantile by comparison (even the few notable filmmakers to have explored 3D’s potential fall short of Godard’s ambitions: Scorsese, Herzog, Paul W.S. Anderson). Also, it should not have been a surprise that 3D would make perfect sense for Godard’s layering of texts and superimpositions, which command an even greater effect with the extra dimension. All of Godard’s films, are, to an extent, about images, and here as much as ever he concerns himself with the apparatus, perspective, history (through images) and specifically 3D and digital’s impact on these things, as well as on cinema itself.
Adam CookRead More »
Synopsis:
In 1929, four years before making this film, Vsevolod Pudovkin and Sergei Eisenstein had collaborated on a Sound Manifesto that called for a radical use of asynchronous sound effects, which would be used in counterpoint to the screen image, rather than supporting it, as is normally the case. In DESERTER, Pudovkin put this theory into practice.
Starring Boris Livanov as German dockworker Karl Renn, the film focuses upon a politically unconscious figure who learns the error of his ways. Renn becomes involved in picketing and demonstrating on the dock but walks out on his comrades one day, doubtful about the value of this kind of political activity.Read More »
Seven floors, seven identically built apartments yet completely different worlds. Seven situations, seven different stories that are nevertheless tied together by thousand strings. They are absurd, often times mysterious mocking glasses of reality as we know it. Like images of an exhibition, these stories are authentic per se, created in different styles and genres, thus told in different ways. It is exactly this diversity that organizes these stories into one peculiar tale.Read More »
“Throw away your books, Go out into the streets!” is Terayama’s adaptation of Terayma’s eponymous book and play. This actually is his first full-length film as a director after shooting a few shorts experimental footage, and writing scenarios for other directors as Hani Susumu (Nanami Inferno of first love 1968) or Shinoda Masahiro (Buraikan 1970). Basically the story is about a teen in Japan, who plays soccer and deals with his highly dysfunctional family. His grandma is senile, his sister loves her pet rabbit to the point of sexual obsession, and his father gets him a prostitute so he can be more of a man. Out of rage our protagonist runs away and hits the street. But the main story is broken up by random short narratives of various Japanese strangers, punk like sing along and psychedelic surreal imagery.Read More »
Blurring the line between fiction, documentary, and experimental filmmaking modes, Telaroli herself plays a director attempting to recreate a scene from Michael Curtiz’s Depression-era drama The Cabin in the Cotton. While Telaroli presides over a round robin of collaborators who take turns performing the same scene again and again, a roomful of cameras, phones, and laptops capture the scene and its production from every conceivable angle. Read More »
Quote:
ALEXANDRE ALEXEÏEFF DVD
Animation works
DVD PAL, 30 films
English French booklet 20 pages
Total running time 137 min. Price 30 Euros.
Languages : English – French
Complements : Picture gallery, photos, portraits, engraving, tools.
This dvd contains 30 films, (27 by Alexeïeff), gathering for the first time the nearly complete cinematographic works, of this exceptional inventor and artist who brought Animated film to the highest levels of artistic demand in the 30’s. On the pinboard, this extraordinary imaging device, built with Claire Parker, five films have been made, all of which being on the dvd, including the mythical “Night on Bald Mountain” (1933) on Mussorgsky’s music, “The Nose” based on Gogol’s short story, “Pictures at an Exhibition” and “Three moods”. One will also be able to see 20 animated objects advertising films made from the 30’s to the 60’s for the most famous brands, as well as unreleased Totalised Animation tests, and the Norman McLaren documentary “The Pinboard”, in which Alexeïeff and Parker reveal its working principles. As a complement a picture gallery of portraits, sketches, engravings, recreates the atmosphere of this unique artistic epic.Read More »
This last short of Tonino De Bernardi is a meditative film about his life and cinema: he recovers an experimental short film made in the 60s and sticks in the final part of the film a sequence with his grandson – a line of continuity between Tonino’s cinema and grandson’s life.Read More »
Synopsis:
This year, the Viennale has once again succeeded in garnering a great director of world cinema for the creation of the traditional festival trailer. At the Viennale’s invitation, the Taiwanese filmmaker Tsai Ming-liang, known through works such as REBELS OF THE NEON GOD, THE RIVER, THE HOLE and WAYWARD CLOUD, created a short, approximately two-minute homage to Lee Kang-sheng – the actor who has appeared in almost all of Tsai Ming-liang’s films over the past thirty years and significantly influenced his entire oeuvre.
The film XIAO KANG shows Lee Kang-sheng roaming through a bamboo forest in a succession of simultaneously mysterious and unintentional movements. These again are alienated by the projection of silent black-and-white footage, accompanied only by the sound of a projector. It’s a fine, minimalist work, oscillating between dream and memory and kept entirely in the style of Tsai Ming-liang’s great films.Read More »