Synopsis
In his adaptation of Hattie Naylor’s play Ivan and the Dogs, experimental filmmaker Andrew Kötting travels to the Chilean desert to recreate the life of the young boy who left his Moscow apartment to live with a pack of wild dogs. A crossover between narrative film and contemporary art piece.
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Synopsis/Background wrote:
“Don.t let Hollywood fool ya! Gay porn filmmakers in the 1970.s were more creative. And Jack Deveau proves it. In this erotically experimental shot entirely in France, director Deveau has statues coming to life in a art museum, who instructs handsome Thomas Jeffries on his inmost desires.
While touring Paris, Thomas is cruised by an older man in a cafe, and then goes to the museum (after the guard has left and locked up). A handsome statue comes to life who embraces and kisses Thomas passionately before leading him into another room. Here, as Thomas lies on a pedestal in his underwear, where two men – a bearded Geek god, the handsome stayue that has come to life embrace Thomas.Read More »
Description: – ”The 40 Labor [the manufacturer firm] as a faithful conservative reaches back – his generation only – to the tradition looking like the lost one. To the twentyfold years’ avantgarde, the ones of sixty filmlanguage-his narration revolution, to the seventy ones’ experimentation. And to the postmodern one which recalling was kept always, for which all this fits shakily under the world’s big umbrella, ( everything else – and the contrary of everything – too).
Buharov brothers strong and effective pictures are dreamed onto the linen, their work lasts caught if we understand nothing from him. We do not recognise their world’s rules, we feel it though these rules his strength.” – Báron GyörgyRead More »
Quote:
A spiral design spins dizzily. It’s replaced by a spinning disk. These two continue in perfect alternation until the end: a spiral design, a disk. Each disk is labelled and can be read as it rotates. The messages, in French, feature puns and whimsical rhymes and alliteration. The final message comments on the spiral motif itself.Read More »
Synopsis:
With its title taken from Georges Bataille’s journal Acéphale (literally, a headless man, but figuratively expressing the need to go beyond rational ways of thinking), Deval’s film is the most literary of the Zanzibar works. The film opens with an illustrative image: a head in the process of being shaved, in close up. This image is accompanied not by the sound of an electric razor but an electric saw, suggesting the need to achieve a tabula rasa by radical means. The story follows the adventures of a young man and his friends as they wander through a barely recognizable post–May 1968 Paris. In documenting the by-gone expressions and gestures of the ’68 generation in France, Acéphale becomes something of an anthropological film that reveals the rites and beliefs of the ideological novitiates.Read More »
“Treefall” was originally made for a dance performance at the Vancouver Art Gallery, April, 1970. Structured in the form of two loops of high-contrast images of trees falling, reprinted and overlapped.
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Quote:
“The block of marble is the most beautiful of all statues” – Carlo Mollino
This is the story of the godlike architect, Carlo Mollino, animated within the desk space of failed architect, Rhayne Vermette. Made, with love on 16mm, 35 and Super 8, this classic tale of Pygmalion investigates intersections between cinema and architecture.
For E. Ackerman, A. Jarnow, and T. Ito.Read More »
A convicted rapist, Ikuo is released from prison and goes in pursuit of the woman he raped, Mieko. So obsessed is he with revenge he see’s her in every woman he meets. After carrying out vicious attacks on a prostitute and a young girl he finally comes face to face with her. Mieko tells him she wants to escape from Tomimori. To redeem himself in her eyes Ikuo takes her plea to the extreme resulting in inextricable tragedy for them all. The film is set in Japan’s notorious ‘soaplands’ – areas where young women offer bathing and massage to men, as a way round the laws prohibiting prostitution.Read More »
Quote:
“A rarity-packed treat for opera and silent-film buffs!”
– Variety
In this mesmerizing collage of silent Italian melodrama, found-footage filmmaker Peter Delpeut (Lyrical Nitrate) affectionately captures the spirit of the World War One-era cinema diva. In all-but-lost gems such as La donna nuda (1914), and Tigre reale (1916), superstars such as Lyda Borelli and Pina Menichelli portrayed heroines teetering dangerously between defiant indulgence in sexual passion and hysterical remorse at their own cruelties. Delpeut’s inventive celebration of Black Romanticism is both striking and heartbreaking in its composition —a beautifully woven narrative of tempted fate and self-torment, elegantly guided by Loek Dikker’s original score. Zeitgeist Films is proud to present Delpeut’s stunningly experimental work in all its heaving bosomed, luridly tinted glory.Read More »