Experimental

A feature-length deluge of incessant, brilliant bursts of images (short takes and jump cuts, single frames in series, freeze-frames slightly altered between takes) it creates a Joyce-like dense and sombre mosaic of memory and sensory impressions, a texture instead of a plot, a dream-like flow of visually-induced associations often flashing by faster than they can be absorbed. Described by the director as an ‘anxious allegory and chilling album of nostalgia,’ its penetrating monomania is unexpectedly — subversively — realized to be a statement about American today: the alienation and atomization o technological consumer society is reflected in the very style of the film.Read More »

A very personal journey, almost like a diary, with hand held camera Kowalski travels along the oldest highway in Polan, built by Hitler. While travelling along the highway Kowalski meets the people that now ply their trade their. The
the director uses his camera to cut a swath through Hitler’s legacy from a new perspective.Read More »

Science, it’s technical use, the breaking of social bonds, it’s rules – that’s the experiment’s name. Sakko and Oi meet by chance.
She’s a casual prostitute, he’s unemployed. They’re the experimental subjects. A play about free time, our time, and unemployment.

Mercedes is the adaptation of Brasch’s own play by the same title. It was produced for dutch television in 1985.Read More »

AllMovie Plot Synopsis by Hal Erickson
The titular trio in Three Bewildered People in the Night is played by Darcy Marta, Mark Howell and John Lacques. Experimental filmmaker Gregg Araki follows the threesome — aspiring artists all — as they wander through the apartments, galleries and coffee shops of Greenwich Village. Their lives are complicated by their carnal urges, both homosexual and otherwise. A multiple award winner at the 1988 Locarno Film Festival, Three Bewildered People never receives widespread distribution.Read More »

Quote:
The director Gaspard Bazin is preparing a new feature film. For now, he is still in the casting and financing stages. He’s asking the help of Jean Almereyda, a producer once fashionable but now at low ebb, who has more and more difficulties to raise cash for his company. His wife, Eurydice, dreams of being a movie star. Between the two men, a perverse game is starting, Almereyda wishing to please his wife, but the unrepentant seducer reputation of Bazin holds him to require a part for Eurydice…Read More »

Flesh of the Void is a terribly disturbing experimental horror film about what it could feel like if death truly were the most horrible thing one could ever experience. It is intended as a trip through the deepest fears of human beings, exploring its subject in a highly grotesque, violent and extreme manner.Read More »

CAVALCANTI MAAS PETERSON BROUGHTON BUTE KESSLER WHITNEY KIRSANOFF MURPHY MARC’O WATSON HUFF

From THE Collection of THE GEORGE EASTMAN HOUSE AND FROM THE RAYMOND ROHAUER COLLECTION

From the little theaters of the 1920s to the ad hoc film societies of the ’50s, avant-garde cinema knew no established form and held no predictable position. The boundaries of its history are still hotly debated, but its rough sensibilities informed and permeated the city symphonies of Alberto Cavalcanti, the visual music of Mary Ellen Bute and John Whitney, the classroom films of Sidney Peterson, the confessional film poems of Willard Maas and John E. Schmitz, the Lettrist cinema of Marc’O, and even marginal exploitation films and home movies. Drawn from the rich collections of Raymond Rohauer and the George Eastman House, Kino’s third volume of experimental films continues to illuminate the degree to which cinema’s evolution has been influenced by those filmmakers who occupy its periphery.Read More »

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Shot over a period of three years, for Lights Marie Menken photographed New York window displays during the Christmas holiday. In order to avoid foot and street traffic interrupting the shots, Menken filmed from midnight to 1:00 a.m. in the morning, but had to keep the camera under her coat to keep it from freezing.Read More »

Taken from The 92 Faces of Peter Greenaway CD-ROM, 84 Quicktime movie clips of Peter Greenaway discussing a variety of topics. The clips range in length from 6 seconds to 2 minutes 47 seconds.Read More »