Experimental

IMDB:

A black and white silent short which tells the tragic story of a young girl named Lili.Read More »

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Hermann Nitsch was born in Vienna in 1938. While studying graphic illustration, he became interested in religous art. He made copies from Rembrandt’s 100 Gulden Blatt and Christ Crucified, and from other religious themes by artists such as Tintoretto and El Greco. Other drawings Hermann Nitsch made at this time were strongly influenced by Cézanne, Klimt and Munch, amongst others. From around 1957 onwards, the depiction of Dionysian revelry and ceremonies began to feature in his work.Read More »

Filmmaker Albert Serra specifically conceived the series The Names of Christ (2010) for the exhibition Are You Ready for TV? It consists of 14 episodes, with a total duration of 193 minutes, and is based on the book The Names of Christ (1572-1586), by Friar Luis de León. Serra constructs a narrative based on a free, poetic structure, which ironically deconstructs the conventions and grammars of the film, art and television worlds.Read More »

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A Tokyo student is running full out; we see him in a meadow, at university, then swimming in a river. He reappears in his garden, naked, then at home as he eats with his family, and then as he watches TV. In the school’s sports field as he doodles with some chalk. After a violent quarrel at home with his mother, he starts running through the city again, as he traces his path, sometimes with thread, sometimes with chalk.Read More »

Anthony Stern’s San Francisco, could be described as a city film and allied with Jean Vigo’s A Propos de Nice (France, 1930) and Walther Ruttman’s Berlin: die Sinfonie der Großstadt (Berlin: Symphony of a City, Germany, 1927). It could also be described as a film of visible and invisible journeys. It moves between day and night, the city centre and its outskirts, the shops and the counter-culture. The invisible journey travels between the two 1960s psychedelic capitals of the world, San Francisco and London; Stern shot the film in the city of its namesake but returned to edit it in London, firstly at the BFI Production Board’s facilities at Waterloo and then at the Arts Lab at Drury Lane.Read More »

Sain (The Closed Vagina) 57min, 16mm

The Nihon University Cinema Club (Nichidai Eiken) was an organization formed in 1957 by Hirano Katsumi, Kanbara Hiroshi, Ko Hiro, and Jonouchi Motoharu. Employing a collective production method that eschewed the name of the author, the group mixed documentary and surrealist tendencies to confront the increasing political tensions
arising in Japan. Sparked by the security treaty with the US (Anpo) the group reformed and Wan (1961) was the first work by the newly formed collective. Read More »

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For his career-long excavation of the American national character, James Benning found two of his most striking case studies in a pair of murderers whose crimes took place 30 years and more than half the country apart. Landscape Suicide, like many of Benning’s films, consists largely of footage of places, landscapes, and roads accompanied by—or paired with—speech. The speech, in this case, comes from the court testimonies of Bernadette Protti, who stabbed one of her California high-school classmates to death in 1984 over an insult, and Ed Gein, the infamous Plainfield, Wisconsin, killer who made trophies out of his victim’s bodies, read aloud by actors directly to the camera. Benning’s America is a country terrified equally by the wilderness to which it’s in thrall and the civilization it’s set up to keep that wilderness at bay—and nowhere in his work does that tension become more chillingly clear.Read More »

A shrine made by many in honor and memory of Lucas Wheeler.Read More »

PLOT OUTLINE :
A non-linear surrealistic horror film documenting a man’s broken descent into isolation, body mutilation, paedophilia and murder.Read More »