Experimental

Quote:
“A long setting of a basement window to the street. Slower and stopping down the street brothers in Hamburg (where Nekes lives). A stand of the belly of a girl on her legs and her dress. Then, vagina and penis, as they are complementary. The 60-minute film is silent. The canvas, as in previous Nekes movies, to the canvas of the painter. It does not look in an imaginary space, one sees an area that is divided divided, with each cut and replaced by a new canvas. In particular, an impression: strong, cool calculation. It stands there like a block. Immovable. The picture is so much that it is beyond the linguistically appropriate formulation. One must see that.” – Werner KließRead More »

Aryan Kaganof & Nicola Deane | 2003 | 5 min. | video | no dialogue

“We cannot abstain from watching the revelation of a being that would be an object neither for herself nor for any other gaze and yet which would effect, in the mystery of her own invisibility, the condensation of all objectivity.”

Aryan Kaganof plays with the contradiction and relationship between the vulnerable, private realm and the voyeuristic, objectified domain in a film about a young woman’s sexual initiation.Read More »

Synopsis:
The film opens with a rubber-clad woman stepping sensuously out of a limousine. The camera lovingly closes-up on her stilleto’ed foot… She enters a dark desolate warehouse, and meets two men, who proceed to chain her up and worship her body. Originally projected on three screens simultaneously. Music by legendary noise musician Merzbow.Read More »

Filmmaker and teacher, Stéphane Marti has been researching experimental cinema as an art form liberated of aesthetic codes and the economics of big budget cinema. His work is primarily focused on the themes of the sacred and the human body. An avid supporter of the Super-8 format, he has been fighting for its merits as a tool. He has used this format film after film and has been sharing his experiences with new filmmakers during his workshops at the Sorbonne’s College of the Arts (Paris I).Read More »

Quote:
The film could have well been called KICKING AND SCREAMING but that only describes me in the process of making it, questioning its taste. Once the message kicked in it overrode all objection. The piece demanded J.G. Thirlwell’s music, normally way too overtly expressive for me as most of my stuff comes out of painting and is also to be absorbed in silence. Who will even notice visual innovation now, or what’s happening with time? Determining a place between two and three dimensions, pushing time to take on substance, is what I do. SEEKING THE MONKEY KING is a reversion to my mid-twenties and that sense of horror that drove the making of STAR SPANGLED TO DEATH. –Ken JacobsRead More »

Quote:
One of the best comic shorts (6 minutes) I’ve seen recently — Broken Specs by Ted Fendt, whom many people already know as the great translator of significant French texts by Godard, Straub, Moullet, Daney. It begins with shots like Caroline Champetier-era Godard, cuts to the credits the same way an ’80s Godard might. Haddon Township, New Jersey. Smashed glasses. “Mike,” the protagonist, eats NJ pizza with his family, his father with glasses pristine. Mike’s fall into the pie. A (high-school? home-from-college?) party comes next. The comedy goes far and quick. It’s a cross between the end of Bujalski’s Funny Ha Ha and all of Rohmer’s Paris vu par episode Place de l’Étoile.Read More »

A short 7-minute follow-up to Broken Specs by Ted Fendt — this one called Travel Plans. There are no travel plans, per se: the protagonist comes upon a Greyhound bus ticket (spoiler alert) on a sidewalk, which might have been shed by the psyche of a friend-of-a-friend who has previously discussed her own plans to keep on moving in her travel.

When the three convene (in what appears to be the same kitchen as in Broken Specs?), a rapport is not formed, but a miniature-train station becomes the real place where none will bond, and, of course, this platform calls to mind, as a cinephile in-joke, in the same way that Moullet would do it, Gorin’s Routine Pleasures. Use what you have at hand.Read More »

Going Out. 2014. USA. Directed by Ted Fendt. 8 min.

Liz thinks she’s going on a date with Rob to see RoboCop, but things take an unexpected (and inexplicable) turn.Read More »

On February 9th, 2005, seven artists and ten crewmembers set sail from the Port of Ushuaia in Tierra del Fuego, the southeast point of Argentina. Their journey centered on a search for an unknown island and an encounter with a unique solitary creature that was rumored to live only on the shores of an unnamed island somewhere at the height of the Polar Antarctic Circle.

This adventure was the first part of a film. The second part, the representation of the adventure, will take place in New York.Read More »