
Experimental educational film reveals the emergence of some ideas of Biophysics in the historical, philosophical and methodological aspects.
First film from the biophysics cycle (1982-1989).Read More »

Experimental educational film reveals the emergence of some ideas of Biophysics in the historical, philosophical and methodological aspects.
First film from the biophysics cycle (1982-1989).Read More »

Synopsis:
Adapted by Nichola Bruce from the acclaimed photographic novel by Timothy O’Grady and Steve Pyke. I Could Read the Sky is a haunting and lyrical film about identity, love, loss, and the isolation and loneliness of the immigrant. Dermot Healy movingly portrays a man reflecting upon his life, from his rural upbringing on the West Coast of Ireland to his journey to London and experiences in the vividly modern metropolis. Driven by a dynamic music soundtrack that draws from both environments, the film is a labyrinthine, visually extraordinary journey into the textures, fragments, details and layers of one man’s life and memories.Read More »

Synopsis
The autobiography, both real and imaginary, of Marina Abramovic [1], Body Art artistic. The film composes the life aesthetic of a woman in her era, with a personal history strongly marked by the Yugoslavia of Tito, everyday violence, the experience of physical and psychic limits… The voluntary evocation of the past makes something more secret, more intimate crop up: an unknown evolution that is embodied in fictions felt like authentic fragments of truth. Balkan Baroque jumps from one identity to another, from a true story to an imagination, from a dream to a ritual… – the language of the body often taking over from the word, interrupting it or, on the contrary, stimulating it.Read More »


Quote:
This first film by choreographer Pina Bausch reflects her method of working as developed with the Wuppertal Theatre of Dance during the 1973/74 season. The film does not tell a story, but is made up of various scenes put together as a collage with scenes set in different locations, such as the woods and fields around Wuppertal, the city centre, the suspension railway, a carpet shop, a greenhouse and the rehearsal room. The futility of human activity and the search for love make up the film’s central theme set against the strains of a Silician funeral march. Filmed on location in Wuppertal, Germany, between October 1987 and April 1989.Read More »


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Employing natural sound and contemplative proscenium shots, Benning skillfully composes a series of pure and majestic images that at once evoke a sense of nostalgic splendor as well as deliver a subtle, yet penetrating, political commentary. Benning tells the story of how water irrigates this valley and how the produce is carted away in boxcars for the nation’s consumption. He shows the lifestyle of a modest and growing rural community, whose concerns are often drowned out by the powerful railroads, oil companies and insurance conglomerates which own the farms and ranches and benefit from undocumented immigrant labor while insisting on imprisoning an American population of color.Read More »

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FM (FM Einheit of Einstürzende Neubauten) has discovered something incredible in the monotonous ‘muzak’ played through the fast food restaurant H Burger’s speaker system: the tracks are laced with subliminal messages designed to ensure complacency and consumerism. Experimenting with his discovery, FM soon realizes that by changing the type of music played, he can manifest a whole range of emotional responses and stir up the populace from their consumerist subordination. But as the diners are emotionally awakened, they become more and more prone to rioting and general social unrest, which puts FM in an increasingly dangerous position, especially when the sinister and mysterious organization behind the the plot to keep the public complacent takes an interest in finding and stopping him…Read More »

A confederation of aging libertarians open their borders to the wealthy young widow of a traitor in order to survive winter.
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The world premiere of an audacious new film by Wilkins, a Whitney Biennial 2017 selected artist. A unique cinematic experience, it blurs the lines between film, theater, radio, podcasts & gallery installations as its images fade from black to white and we hear an epic drama of utopian ideals tested.Read More »

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Reiko is a sex robot programmed to accumulate sexual experience. She goes through seven body types to experiences a variety of couplings. She returns to the company to download her accumulated info and escape from their control.Read More »

Je, tu, elles… (ou Elles plus elles) (1969) is a french movie from Peter Földes, released on TV but never in theaters.Read More »