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Shy, naive, and withdrawn Catholic schoolgirl Betty (sumptuous brunette Angel) experiences a sudden sexual awakening. Writer/director Humphry Knipe does an ace job of crafting an intoxicating erotic atmosphere and further enhances things with an amusing sense of blithely bawdy humor. The carnal set pieces are quite arousing and energetic, with the sequence in which Angel gets tag teamed by cops Rick Cassidy and Paul Barresi rating as a definite scorching highlight. Read More »
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A shipwrecked World War II sailor comes to the rescue of two American nurses held in the clutches of a twisted Nazi officer and his three female assistants on a deserted South Pacific island.
During World War 2 in a south pacific island near the Philippines, two American army nurses, Carol and Gloria, are being held captive in a Nazi camp. The base is ran by Hans von Shlemel and his two assistants, Ilsa and Greta. The Japanese also help by supplying the camp with the Japanese female guard Suke. The American Joe Murray tries in vain to break in and rescue the nurses. Hans von Shlemel punishes Joe by having him servicing Greta sexually and getting raped by Ilsa. Alas, this makes Suke lust for Joe and he uses that to seduce her and fire his way out with the nurses.Read More »
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Private investigator Nick Popodopolis (John Leslie) has a problem: there’s a corpse of a beautiful woman (Juliet Anderson) on the floor of his office. As he explains his case to an alcoholic lieutenant (Cameron Mitchell), a strange story of blackmail, mystery and murder unfolds, all centered on an enigmatic movie star, Dixie Ray (Lisa De Leeuw).
Anthony Spinelli’s big budget WWII era set noir ranks as one of the last truly ambitious X rated movies ever made.Read More »
The pleasure, where it does not end
Love is also time suspended by the word, the language – Portuguese in this case – which invites itself into the body, which hypnotizes them and returns them to a happy flesh. All of Bressane’s staging can be found there, all of this surprising and obvious invention, that is to say alive. In its rhythm, in its editing, in its ruptures, its winks and even its obscurities which we know all come out of the same passion …
A triangle – three beings – suspended in desire, a desire that hangs on all their gestures.Read More »
IMDB:
“Same Face, Same Body, Same Vice!, 3 September 2005
8/10
Author: ANTONIO LA TORRE (BCULT) from Palermo, Italy
Two twin sisters are absolutely identical. Physically, but not mentally. In fact first sister is an unbridled nymphomaniac who continually collects sexual embraces. The second is timid and emotional. One day the first wants to involve her ingénue sister in this vicious circle, getting upsetting and unpredictable results. ‘La gemella erotica’ (Erotic Twin) was shot on Lake of Vico, central Italy. It is one of director Alberto Cavallone’s darkest films and one of the most indicative movie about Italian extreme cinema (banned to the minors), now become Cult Cinema. Also titled ‘Due gocce d’acqua’ (As Two Drops of Water), produced by Euritalia Cinematografica. O.S.T. was composed by maestro Carlo Carnelli. “Read More »
“As the 1960s drew to a close, European erotica really had its work cut out for it. In particular, Sweden, the country known for crashing American art houses with racy dramas, found itself competing with other countries like France and Italy to produce the latest scandal du jour. Budgets got bigger, acting got better, and plots became richer as directors tried to push the envelope, and no one benefited from this more than director and distributor Radley Metzger. Vibration (Lejonsommar) was released overseas hot on the heels of Metzger’s Therese and Isabelle, also starring the fascinating and talented Essy Persson, and it shows the increasing influence of directors like Ingmar Bergman (who, lest we forget, was also promoted at first in the U.S. more for his flashes of skin than his artistic merit). Arty editing, sun-dappled cinematography, and joyous sexuality are the order of the day here, and Vibration is a breezy reminder of what softcore was like just before Sweden’s next big shocker export, I Am Curious (Yellow).Read More »
A beautiful executive lady at an advertising company realizes with horror that her vagina has started to talk and is leading her to indecent sexual acts. This was the first exclusive hardcore feature film produced and released in France to meet international success. It is based on a significant tradition in literature and art of talking vaginas, dating back to the ancient folklore motif of the vagina loquens, and in particular a story by Denis Diderot (1713–1784). Among future film makers involved in this production are Francis Leroi (producer), Didier Philippe-Gérard (script and actor), Gérard Kikoïne (editor) and Pierre B. Reinhard (assistant editor).Read More »
A fashion film written & directed by Asia Argento for Antonio Grimaldi Couture Collection A/W 2020/21.Read More »
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This movie works for two reasons. The first is the director Andreas Bianchi who, though far less prolific, was a lot like Spanish auteur Jesus Franco in his ability to take irredeemably sleazy material like this and make it somehow oddly watchable. Bianchi’s work includes “What the Peeper Saw” which offered the unusual pairing of Swedish sex kitten Britt Ekland and the kid from “Oliver”, scuzzy giallo favorite “Strip Nude for Your Killer” where the usually classy Edwige Fenech simulated both oral and anal sex (not surprisingly, it’s the only recent DVD release she hasn’t provided any commentary for), and his follow-up to this film “Burial Ground” again with Giordano who this time gets her latex nipple bitten off by a strange-looking dwarf who is supposed to be her zombified son.Read More »