Drama

A movie set in a love hotel, but without a single sex scene? A 59-year-old woman as the heroine? It’s hard to imagine that particular pitch loosening purse strings at major Japanese media companies. A fatally ill teenager? That’s more like it.

Mark Schilling’s review from the Japan Times: No sex at a love hotel
A movie set in a love hotel, but without a single sex scene? A 59-year-old woman as the heroine? It’s hard to imagine that particular pitch loosening purse strings at major Japanese media companies. A fatally ill teenager? That’s more like it.
Director Izuru Kumasaka has incorporated these and other decidedly uncommercial elements into debut feature “Park and Love Hotel” (titled “Asyl” — short for “Asylum” — internationally), which won the Best First Feature Award at this year’s Berlin Film Festival. Read More »

In an extremely poor region in the Northeast of Brazil, a group of soldiers try to stop the population from sacking a food deposit.Read More »

The Yellow Scarf is a film by Janusz Morgenstern from 2000. Janusz Gajos plays its protaganist, a man fighting with alcoholism, and is proof that television productions do not have to be worse than feature films.

The protagonist – a middle-aged man at the top of his career – does not have a name, nor a surname; he is a universal character, an everyman that everyone can identify with. On the Christmas Eve he consecutively meets with his employees, his ex-wife, his son and his present partner. His persistently prolonged rambling is meant to postpone the inevitable Christmas visit to his mother.Read More »

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During the last days of WWII, an old railroad worker and his assistant guide a train liaded with explosives to the Western front. The journey is a perilous trek through rough terrain, occupied by ruthless German soldiers, desparate deserters, and dangerous gangs seeking easy money.Read More »

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Life in the Argentine pampas is nasty, brutish and short, judging by the intense, compelling drama “La Rabia.” Impressive if challenging-to-watch work by helmer Albertina Carri (“Los rubios,” “Geminis”) observes adultery, violence and animal slaughter largely through the eyes of two disturbed children, while use of jagged animation and luminous landscape shots transmutes the base material into something more sublime. “La Rabia” is certain to sweep through fests, but could have trouble finding distribution in some territories due to unfaked deaths of various animals which, per opening credits, “lived and died as they naturally would.”Read More »

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At last, the British film classic The Shooting Party receives the digital restoration that does justice to its sweeping vistas and heartbreaking snapshots of an era in its death throes. Set in 1913 England, on the brink of what would be the war to end all wars, the film focuses on an assortment of upper-crust acquaintances who gather for a weekend of hunting and society niceties (billiards, cards, draping oneself in jewels the evening after stomping around all day in the muck). Presiding over the festivities is a masterful James Mason as Sir Randolph Nettleby, a sort of benevolent dictator of his breathtaking estate, as his family and friends dip in and out of the action, adhering to the strict code of class conduct for all of their affairs–sport, self-advancement, illicit love.Read More »

A confederation of aging libertarians open their borders to the wealthy young widow of a traitor in order to survive winter.

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The world premiere of an audacious new film by Wilkins, a Whitney Biennial 2017 selected artist. A unique cinematic experience, it blurs the lines between film, theater, radio, podcasts & gallery installations as its images fade from black to white and we hear an epic drama of utopian ideals tested.Read More »

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As Cotopaxi spews ash, issuing an eerie penumbra over Quito, a young woman confronts dormant familial conflicts. Desperate for a place to store her things as volcanic disaster looms, Caridad turns to her long-estranged father Galo for help. Galo abandoned Caridad’s mother long ago and is eager to make amends, but questions concerning the nature of his transgressions linger, straining communication between father and daughter and casting grave doubts over the possibility of reconciliation.Read More »

allmovie.com wrote:
American art dealer Bennie (Miguel Sandoval) arrives in Liverpool and gets to his hotel with great difficulty, while British art dealer Frank King (Cox) has no such problem. Abandoned by the waiter in the hotel’s restaurant, the two head out into the rainy Liverpool night but find mostly closed restaurants, eventually choosing a Greek restaurant where Bennie has an anxiety attack. They move on but find no satisfaction at a Chinese restaurant or a Japanese restaurant. Hunger pangs surface as they travel about via subway, bus, ferry and taxi. Eventually, they arrive in the middle of a desert where they meet another lost and hungry businessman, Leroy Jasper (Robert Wisdom).Read More »