Drama

  • Claude Sautet – L’arme à gauche aka The Dictator’s Guns (1965) (HD)

    1961-1970Claude SautetCrimeDramaFrance

    Excellent adventure yarn, great locations, moody music. The last “action-picture” from the late great french director Claude Sautet – from this he went on and did Les choses de la vie, Cesar et Rosalie, Vincent, Francois, Paul et les autres, plus the two masterpieces Un coeur en hiver and Nelly et M.Arnaud, his final movie, from 1994. By the way, he also wrote Borsalino (for Jacques Deray) and Les yeux sans visage (for Georges Franju). L’arme a gauche is not, by all means, a great movie – but compared to the contemporary crap we’re fed every day it’s outstanding. Read More »

  • Paul Mazursky – An Unmarried Woman (1978)

    1971-1980ComedyDramaPaul MazurskyUSA

    Quote:
    Erica is unmarried only temporarily in that her successful, wealthy husband of seventeen years has just left her for a girl he met while buying a shirt in Bloomingdale’s. The film shows Erica coming to terms with the break-up while revising her opinions of herself, redefining that self in its own right rather than as an extension of somebody else’s personality, and finally going out with another man. Erica refuses to drop everything for Saul, an abstract expressionist painter, simply out of love for him because he expects her to. It is not so much loneliness that is her problem, and the problems that men, flitting around this newly “available” woman like moths round a flame, bring to her sense of independence.Read More »

  • Richard Brooks – The Happy Ending (1969)

    1961-1970DramaRichard BrooksUSA

    Quote:
    The triumphs and failures of middle age as seen through the eyes of runaway American housewife Mary Wilson (Jean Simmons), a woman who believes that ultimate reality exists above and beyond the routine procedures of conscious, uninspired, everyday life. She feels cheated by an older generation that taught her to settle for nothing less than storybook finales, people who are disillusioned and restless and don’t know why, people for whom life holds no easy answers. Great supporting cast includes John Forsythe, Teresa Wright, Lloyd Bridges, Shirley Jones, Bobby Darin, Tina Louise, Dick Shawn, and Nanette Fabray.Read More »

  • Arthur Penn – The Missouri Breaks (1976)

    1971-1980Arthur PennDramaUSAWestern

    Synopsis:
    When vigilante land baron David Braxton (John McLiam) hangs one of the best friends of cattle rustler Tom Logan (Jack Nicholson), Logan’s gang decides to get even by purchasing a small farm next to Braxton’s ranch. From there the rustlers begin stealing horses, using the farm as a front for their operation. Determined to stop the thefts at any cost, Braxton retains the services of eccentric sharpshooter Robert E. Lee Clayton (Marlon Brando), who begins ruthlessly taking down Logan’s gang.Read More »

  • Jacqueline Audry – Olivia AKA The Pit of Loneliness (1951)

    1951-1960DramaFranceJacqueline AudryQueer Cinema(s)Romance

    Quote:
    Olivia captures the awakening passions of an English adolescent sent away for a year to a small finishing school outside Paris. The innocent but watchful Olivia develops an infatuation for her headmistress, Mlle. Julie, and through this screen of love observes the tense romance between Mlle. Julie and the other head of the school, Mlle. Cara, in its final months. Although not strictly autobiographical, Olivia draws on the author’s experiences at finishing schools run by the charismatic Mlle. Marie Souvestre, whose influence lived on through former students like Natalie Barney and Eleanor Roosevelt. Colette wrote the screenplay for the 1951 film adaptation of the novel.Read More »

  • Fernando Pérez – José Martí: el ojo del canario AKA Martí, the Eye of the Canary (2010)

    2001-2010ArthouseCubaDramaFernando Pérez

    This historical drama, depicting different phases in the late childhood and youth of the so-called “Apostle of Cuba” José Martí, is most of the time a biopic full of commonplaces often found in this genre, directed by Fernando Pérez, one of the most respected names in Cuban cinema.

    Narrated in four movements, in the first two (“Bees” and “Arias”), the 9 year old Martí (endearingly played by Damián Rodríguez) is bullied in school by schoolmates and abused by his schoolmaster, while he learns notions of justice and oppression from his father. He discovers the beauties of Mother Nature with an old slave, explores his sexuality and enters into the world of high art in a Havanan theater. The boy also becomes aware of the high price a poor child has to pay for education.Read More »

  • Leonardo Guerra Seràgnoli – Likemeback (2018)

    2011-2020DramaItalyLeonardo Guerra Seràgnoli

    Likemeback is set on a boat, where three friends are celebrating the end of high school and sharing every moment on social media, unaware that their friendship will soon be changed forever.Read More »

  • Liliana Cavani – Il portiere di notte AKA The Night Porter (1974) (HD)

    1971-1980ArthouseDramaItalyLiliana Cavani

    New 2K digital restoration
    In this unsettling drama from Italian filmmaker Liliana Cavani, a concentration camp survivor (Charlotte Rampling) discovers her former torturer and lover (Dirk Bogarde) working as a porter at a hotel in postwar Vienna. When the couple attempt to re-create their sadomasochistic relationship, his former SS comrades begin to stalk them. Operatic and disturbing, The Night Porter deftly examines the lasting social and psychological effects of the Nazi regime.Read More »

  • Juraj Herz – Spalovac mrtvol AKA The Cremator (1969) (HD)

    1961-1970ArchitectureArthouseCzech RepublicDramaJuraj Herz

    Czechoslovak New Wave iconoclast Juraj Herz’s terrifying, darkly comic vision of the horrors of totalitarian ideologies stars a supremely chilling Rudolf Hrušínský as the pathologically morbid Karel Kopfrkingl, a crematorium manager in 1930s Prague who believes fervently that death offers the only true relief from human suffering. When he is recruited by the Nazis, Kopfrkingl’s increasingly deranged worldview drives him to formulate his own shocking final solution. Blending the blackest of gallows humor with disorienting expressionistic flourishes—queasy point-of-view shots, distorting lenses, jarring quick cuts—the controversial, long-banned masterpiece The Cremator is one of cinema’s most trenchant and disturbing portraits of the banality of evil.Read More »

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