Drama

  • Oded Binnun & Mihal Brezis – Aya (2012)

    2011-2020DramaIsraelOded BinnunShort Film

    Two strangers unexpectedly meet at an airport. He mistakenly assumes her to be his assigned driver.
    She, enchanted by the random encounter, does not hurry to prove him wrong.Read More »

  • Nelson Pereira dos Santos – Vidas Secas aka Barren Lives [+Extras] (1963)

    1961-1970ArthouseBrazilDramaNelson Pereira dos Santos

    Quote:
    A poor family in the Northeast of Brazil (Fabiano, the father; Sinhá Vitória, the mother; their 2 children and a dog called Baleia) wander about the barren land searching for a better place to live, with food and work. But the drought and misery destroy their hopes.Read More »

  • Mark Rydell – Cinderella Liberty (1973)

    1971-1980DramaMark RydellRomanceUSA

    Quote:
    This charming tough-love romance is yet more evidence why the early 1970s is considered one of the most creative times in Hollywood. Basically a story about a link-up between a sailor and a pool hall tramp, Cinderella Liberty overcomes traditional problems with such material. The “R” rating for once allows such characters to talk as they might, although our nice-guy hero has a thing against profanity. Darryl Ponicsan’s story acknowledges the desperation of sailors to find female companionship, especially when on ‘Cinderella Liberty,’ a shore pass that expires at midnight. Also breaking with Hollywood tradition, the film allows Marsha Mason’s hooker to be credibly profane and self destructive, and yet still be worthy of our concern. The movie has its share of emotional compromises but by the last act we’re only hoping that things turn out well for our deserving main characters.Read More »

  • Robert Greenwald – Steal This Movie (2000)

    1991-2000ArthouseDramaRobert GreenwaldUSA

    A unique journey into the life of activist and radical Abbie Hoffman (Vincent D’Onofrio), as he battles for social justice and travels through the maze of music and politics that defined the late sixties and early seventies.Read More »

  • Med Hondo – Soleil Ô AKA Oh, Sun (1967)

    1961-1970African CinemaClassicsDramaMauritaniaMed Hondo

    Quote:
    The Mauritanian director Med Hondo’s bitterly insightful, artistically freewheeling 1970 film begins with an antic sketch of the European colonization that subjugated and impoverished Africans. It depicts, with sardonic fury, the adventures of an unnamed young African man (Robert Liensol) who arrives in Paris and, with naïve optimism, seeks his fortune among his colonizers. He considers himself at home in France, but soon discovers the extent of his exclusion from French society. Facing blatant discrimination in employment and housing, he and other African workers organize a union, to little effect; seeking help from African officials in Paris, he finds them utterly corrupt and unsympathetic.Read More »

  • Seymour Friedman – Counterspy Meets Scotland Yard (1950)

    1941-1950CrimeDramaSeymour FriedmanUSA

    Story
    When enemy agents obtain leaked secrets about a guided missile reservation, the chief of America’s counterspy division (Howard St. John) and Scotland Yard’s top sleuth (Ron Randell) get on an investigative trail which quickly leads to a reservation secretary (Gunsmoke’s Miss Kitty, Amanda Blake).Read More »

  • Mikhail Kalik & Inna Tumanyan – Lyubit… AKA To Love (director’s cut) (1968)

    1961-1970DramaInna TumanyanMikhail KalikUSSR

    Several short films about love.
    Read More »

  • Amos Poe – Alphabet City (1984)

    Drama1981-1990Amos PoeCrimeUSA

    Quote:
    This stylishly photographed drama is set in the Lower East Side area known as “Alphabet City.” There 19-year-oldJohnny has become a drug lord in charge of the neighborhood gangs and pushers. Unfortunately, he too has a boss and when he asks Johnny to burn down the tenement building that houses his mother and sister, the boy refuses and decides to go straight for the sake of his wife and child. This doesn’t set well with his boss who sends gangsters out to kill him. Of course, the gangsters have to catch Johnny first.Read More »

  • Zeki Demirkubuz – Yazgi aka Fate: Tales About Darkness (2001)

    Drama2001-2010TurkeyZeki Demirkubuz

    quote:
    The first installment of Zeki Demirkubuz’s Tales of Darkness trilogy (which would subsequently include The Confession and The Waiting Room), Fate is perhaps his most fully realized adoption of themes inspired by his literary influences (and self-acknowledged personal favorite among his films to date), in this case, Albert Camus’s widely read, absurdist fiction, The Stranger. Fusing the essentiality of actors’ faces that characterize Robert Bresson’s cinema with the acute, muted humor of Darezhan Omirbaev (and on occasion, upending it, as in the case of an initially Kaïrat-like innocent encounter at a movie theater that soon escalates into awkward groping), Fate chronicles the strange turn of events in the life of a seductive, accommodating, and enigmatic junior customs clerk named Musa (Serder Orçin) who lives alone with his mother at a low rent apartment in Istabul following her death one day from natural causes. Read More »

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