Drama

Following a series of films questioning commitment and politics in America and culminating with Milestones 1975, and a 1977 documentary on Lisbon’s Carnation Revolution, Scenes from the Class Struggle in Portugal, Robert Kramer moved to France with his family. The first film he made there was Guns, an intricate feature which echoed the paranoid films of 1970’s Hollywood. With Guns, Kramer continues his exploration of the militant psyche, while at the same time experimenting with different forms of narration.Read More »

”The Day After,” ABC’s much-discussed vision of nuclear Armageddon, is no longer only a television film, of course; it has become an event, a rally and a controversy, much of it orchestrated. Part of the controversy has to do with whether ”The Day After” makes a political statement, which it does, although the statement is muddy, and part of the controversy has to do with how we confront the nuclear abyss. Champions of the film say it forces us to think intelligently about the arms race; detractors say it preaches appeasement. In fact, both sides have something going for them in their arguments, even if the champions of the film, for the moment, are being heard more clearly than the detractors. ”The Day After” will be seen on ABC at 8 o’clock tonight.Read More »

Original title: მე მზის წვეთი ვარ დედამიწაზე (Me Mzis Skivi Var Dedamicaze)

Quote:
Tbilisi, Georgia, nowadays. April aged 34, just spent a night in jail for prostitution. She is now resuming her work in the run down night life hub in the underground of a luxury hotel. There she meets Dije, a young Nigerian immigrant. He entrusts her his journey to Tbilisi. Originally, believing he was headed for Georgia, USA, he finds himself trapped in an extreme alienation in a country offering no perspective. An odd love emerges between these two human beings while they try to survive together on the margins of society.Read More »

Synopsis:
Imagine a slightly dilapidated three star hotel in the tenth arrondissement run by a very distinguished lady with moral fibre and panache, Mrs. Coppercage. Alongside tourists visiting Paris, Mrs. Coppercage rents three rooms to three women at a monthly rate. Each woman is marked by life, yet they go on as best they can, never closing their eyes to the world around them, or to the men who impatiently await them. Faubourg Saint Martin opens as a love story and ends like a song as shots ring out and punctuate the chorus.Read More »

Grand Jury Prize at the Sundance Film Festival 1986

Fifteen-year-old Connie Wyatt (Laura Dern) may be too young to drive, but she’s already driving the boys crazy. Her suspicious mother (Mary Kay Place) wants to keep her safely at home, but free-spirited Connie would rather while away the languid summer days hanging out with her friends and flirting with boys at the local burger stand. But when she flirts with an older, handsome and predatory stranger (Treat Williams), she isn’t prepared for the frightening and traumatic consequences.Read More »

A immigrant’s father is coming to visit from Germany. She has lied to him about her acting career, having looked unsuccessfully for parts for a year, and has also told him she’s married. So she enlists her gay roommate to act as her husband, which causes complications in his lifestyle. When Dad arrives, he accompanies her to an audition for a New Age Erotic film with Annie Sprinkle, and he accidentally gets a part in a commercial, and gets involved with Annie. The daughter is miffed, and ends up trying to decide what her own sexual orientation is. (IMDb)Read More »

Vienna as a light, modern city and a place that encourages improvisation of the mind. The jobless Hans Schmidt and Ann Berger become true champions in the city. However, setbacks and false interpretations underlie their attempts at economic stability. Hans gets involved in a serious accident, which renders him unable to work. Anna alone can’t the bill for the taxi. The community helps her. Hans and Anna become a part of Socialist Vienna.Read More »

The film tells the story of an American journalist covering the Salvadoran civil war who becomes entangled with both leftist guerrillas and the right wing military. The film is sympathetic towards the left wing revolutionaries and strongly critical of the U.S.-supported death squads, focusing on their murder of four American churchwomen, including Jean Donovan, and their assassination of Archbishop Óscar Romero.
The film was nominated for two Academy Awards: Best Actor in a Leading Role (Woods) and Best Writing, Screenplay Written Directly for the Screen (Stone and Boyle).Read More »

Droll French comedian Noel-Noel essays the title role in Le Pere Tranquille (The Quiet Daddy). Contrary to expectations, the star isn’t a secret father, but in fact the unknown head of a WW2 resistance movement. By playing the fool whenever the Nazis are around and about, Noel-Noel is able to conceal his double life and successfully carry out his various sabotage missions. This deft combination of comedy and melodrama builds to a particularly suspenseful climax. Le Pere Tranquille was directed by Rene Clement, who also helmed the classic “underground” film Battle of the Rails. (All Movie Guide)Read More »