Drama

An Indian family is expelled from Uganda when Idi Amin takes power. They move to Mississippi and time passes. The Indian daughter falls in love with a black man, and the respective families have to come to terms with it.Read More »

Ritter, Dene, Voss is a stage play by Thomas Bernhard from 1986. After the Premiere the same year at the Salzburger Festspiele under the direction of Claus Peymann, the play was taken into the repertoire of the Burgtheater in Vienna.

It was named after the three actors that were to play the roles in the world-premiere: Ilse Ritter, Kirsten Dene and Gert Voss. Thomas Bernhard started off writing it with a note saying “Ritter, Dene, Voss. intelligent actors”.
The play was inspired by the family of Ludwig Wittgenstein and his (Wittgensteins) nephew Paul, who was a friend of Bernhard and protagonist of his novel “Wittgensteins Nephew” from 1982.Read More »

Synopsis:
Two men break out of prison; a rival gang ambushes them. One is mortally wounded and tells the other, Mickey, to take him to the estate of a retired robber, Noel, who lives in comfort with his lovely and beloved wife, Nicole. The man dies, and Mickey, a menacing hothead, demands money of Noel. A few days later, Mickey returns to the estate, shoots up a dinner party and threatens them again. Noel sends Nicole to an hotel and goes to his old gang to help him hunt down the dangerous Mickey. Mickey has other problems, too, including heartache for a daughter he hardly knows. Young, eager cops tail Nicole, and all are on a complicated collision course.Read More »

A British-born younger son of an immigrant family from Trinidad finds himself adrift between two cultures. from imdb

Review from bfi
Horace Ov’s landmark films Pressure(1975) and Baldwin’s Nigger (1969), presented together on one disc, form the third DVD release under the BFI’s Black World initiative.Read More »

Quote:
Lorenzo’s older brother Marcello is a playboy who has broke the heart of a cabaret singer named Aida (Claudia Cardinale). When she shows up one evening at their home Marcello unable to handle his own dirty business sends Lorenzo (Jacques Perrin) out to get rid of her. Lorenzo fails in love Aida the moment he lays he eyes upon her. Feeling guilty about the way his brother treated her he does his best to help her out.Read More »

Just graduated from the Conservatory of Naples, Vincenzo Bellini meets Maddalena Fumaroli and immediately falls in love with her.
To make a musical portrait for her, he writes the romanza “Casta Diva”, of which he makes her homage.
Bellini is the most promising student of the Conservatory, but he only wants to return to Sicily and live with Maddalena. He thus refuses the offer of famous singer Giuditta Pasta to go to Milan with her.
Maddalena, however, doesn’t want that Vincenzo renounces to fame, and leaves.
Bellini hence goes to Milan with Giuditta, where he’s successful with the opera “Il Pirata”, and where he meets – and clashes with – Donizetti.
Maddalena, however, is always in his heart, so he leaves Giuditta and writes a harsh opera, “Norma”, which has no success. Maddalena, upon learning this, takes to Giuditta the romanza “Casta Diva”, which is added to the opera and leads it to success…Read More »

Among gunshots and boleros, a passionate relationship flourishes between a lonely transvestite and a young guerrilla during the Pinochet dictatorship in Chile.

3 wins & 4 nominations.Read More »

Quote:
A criminal mastermind responsible for a failed robbery and an accidental petty conman meet inside a prison carriage. Soon they are both going to hear the court verdict.Read More »

A late entry from Frank Borzage and hs first “prestige” picture in years, after being cut loose from the Majors during his personal heyday of the 1920s and 30s.

This was Republic’s first Technicolor feature (and Borzage’s second). The color palette Republic concocted for the film is bizarre to say the least – dominant are pinks, purples, wedgewood blues, mauve, taupe, lilac, with highlights of orange aqua and apricot. The general tone of hyperreality is enhanced further with set design that extends to underfurnished rooms, and cavernous spaces and headroom, like the concert hall wiith virtually surreal intrusions of doric columns and poritcos as decorative objects.Read More »