Drama

Three young men prepare to take their university entrance exams while each dealing with real world problems that can effect every day people in Seoul.Read More »

From Steven Holden in The New York Times:
“Praying With Anger” is a standard male rites-of-passage film with one fascinating difference: Dev Raman (M. Night Shyamalan), a hotheaded exchange student who endures assorted trials on his way to responsible manhood, is an American-born Indian who goes all the way to Madras to grow up.

The film, which opens today at the Village East, is the cinematic debut of Mr. Shyamalan, a 22-year-old director, who wrote and produced the movie in which he also plays the leading role. Sumptuously photographed on location in Madras, it offers a vision of contemporary life strikingly different from that shown in most films set in modern India, which tend to dwell on the mystical and the exotic.Read More »

New technologies are transforming a 19th-century watchmaking town in Switzerland. Josephine, a young factory worker, produces the unrest wheel, swinging in the heart of the mechanical watch. Exposed to new ways of organizing money, time and labour, she gets involved with the local movement of the anarchist watchmakers, where she meets Russian traveller Pyotr Kropotkin.Read More »

Quote:
The leading clown role in a renowned theatre troupe passes on, and is welcomed into the Underworld. As he relives his vivid memories one last time before entering the afterlife, 50 years of art, struggle and love play out against …Read More »

Set in post war Japan, the film tells the tale of a woman (Martha Hyer) looking for her missing brother. Her brother operated a small export business and has suddenly disappeared. Strangely his business partner has also vanished. Japan is portrayed as a hotbed for smugglers and snoopers all trying to make a buck anyway they can.

Hyer soon comes in contact with the Japanese police who are somewhat sympathetic but they are also hunting for her brother because they believe he was involved in some smuggled opium. In steps an American ex-serviceman (Byron Mitchie), who works the black market and agrees to help Hyer find her brother.Read More »

Synopsis
Soon after the Great War, the Provence village of Salezes gets a new boys’ teacher: Mr. Pascal, a war hero with a diploma from a teachers’ college. He rejects old methods: boys’ sitting still with arms folded memorizing facts. He uses modern methods: he becomes their guide…Read More »

In Venice, a failed and alcoholic musician attends the concert of his teenage son, a precocious conductor who has never met him. Three years after “Prélude à la gloire”, in order to confirm the aura of child star Roberto Benzi, this new film embroiders a fictional story around filial bonds and the father’s remorse. While Roberto Benzi, as impressive as a conductor as he is a poor actor, does what he can, Jean Marais, leaving for the first time his usual part of young leading man, is quite impressive. With the help of excellent supporting actors: Fernand Sardou, Edouard Belmont and Jacqueline Porel, he allows the film to rise above its condition of melodramatic and conventional work. The direction of Georges Lacombe, sober and elegant, does not fail. The film, although less successful than its predecessor, is famous for having generated a good number of musical vocations among the young people of the time.Read More »

A lady stripper and a gigolo promised each other that their work can’t break them apart. But when lust and temptation come into the picture, they begin to question their vow.Read More »

A la fin de l’été 84, Adrien, Alice, Hans et Laure vivent à Rome des histoires d’amour qui les poussent hors d’eux mèmes. Chacun va suivre obstinément son rève, sa quète, sa passion. Alice se perd dans l’alcool, Adrien dénonce sa maitresse à la police. Laure et Hans vont aller jusqu’aux limites d’une passion destructrice dans le huis-clos de leur chambre d’hôtel.Read More »