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Mariana, seventeen, is a high school student living on the outskirts of Lisbon. One day, she is caught in a desperate situation: having been raped by a drug addict, she later finds that she is pregnant.
Out of fear, shame or anger she decides to conceal it from everybody else – her parents, boyfriend, friends, the police and the court – and cope with it on her own.Read More »
A teacher and opticians practice couple leads a peaceful life in a small town. Their life turned upside when Belle, a friend’s daughter found dead in her room. He becomes the prime suspect as the only one at home at the time.Read More »
Water and lightning. Music and poetry. Life and death. An incantatory and visually sublime river journey that anticipates the cosmic mystery of KAILI BLUES.Read More »
A requiem for Nikkatsu itself. In 1988, the powerful studio – realizing that it could no longer compete with the onslaught of AVs { Adult Videos} – decided to halt pink production. Th e Last Cabaret was written and produced as a metaphorical self-portrait, as at least one critic put it: “an homage to their own relevance.” Due to the voracious appetite of a land developer, a popular cabaret {think Nikkatsu here} is forced to close its doors . The owner’s daughter, melancholy over the foreclosure, goes looking for her father’s legendary girlfriends { think Nikkatsu starlets } to reminisce over the good ole days. Nikkatsu would produce only one more pink film, Bed Partner.
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Anna tries to give her children everything,
although her husband’s lack of employment and their indebtedness are becoming increasingly oppressive.
When it transpires that she is pregnant again, she is faced with a tremendously difficult decision.
On the other hand, Teréz has everything in life except what she most yearns for: a baby.
The wealthy woman offers to resolve all Anna’s financial troubles,
if she will go through with the birth and then hand over the child.
Márta Mészáros’s emotional drama positions the spotlight on surrogacy and the moral dilemmas that surround the subject.Read More »
In a society where kissing is punishable by death, and people pay for things by receiving slaps to the face. Angine, an unhappy woman, shops compulsively in a department store. There, she becomes fascinated by a playful salesgirl. Despite the prohibition of kissing, the two become close, raising the suspicions of a jealous colleague.Read More »
Synopsis:
This is the story of women at three stages of life in Iran. The first part centers on a young girl on her ninth birthday who is told that she can no longer play with the boys she had been playing with only the day before because she is now a “woman”. Told from the perspective of a nine year old “woman” who does not feel like or know what that label refers to, we see how devastatingly this affects both the girl and the boy with whom she had been friends. The second part is about a young woman who decides to enter a bicycle race against her husband’s wishes. As first the husband and then increasing numbers of men from the village ride beside her to convince her to return home, the race begins to symbolize a freedom she desperately wants from the limitations which have been placed on her. Finally, the third part shows us an old woman who has come into some money and is now free to do what she wants. The way she chooses to use this freedom, however, makes one wonder just how free she is.Read More »
With a screenplay by Aki Kajiwara and direction by Bunaki Takahashi, this is a story of “social isolation”. Itatani plays the main character, Kitabayashi Sanchiko, who sells jewelry she makes at her studio during the day and works part-time as a lodger at a yakitori restaurant at night, but loses her job and home due to the epidemic. There are no new jobs and the family restaurant and manga cafe are closed. Standing in front of the desperate Mitsuko is a bus stop illuminated by streetlights. No one can see the weakness and she becomes a homeless person who spends the night at the bus stop.Read More »
Original title: レイブンズ
The obsessive love and many deaths of Masahisa Fukase.
Enigmatic, rejected, heartbroken. Masahisa Fukase must rebuild his life, overcome tradition, his inner demons and the pain of a broken marriage. The fascinating love story of the iconic Japanese photographer, his wife, his art and his family told for the very first time. A love consumed and destroyed by a life of photography.Read More »