Drama

In 1968, Peace Corps veteran David Schickele enlisted his friend Paul Eyam Nzie Okpokam to star in a light-hearted comedy about the adventures of a young Nigerian intellectual in San Francisco. Using a docu-fictional style reminiscent of Cassavetes’ Shadows, the film observes the foibles of late 1960s African-American culture with an outsider’s incisive eye. The result is a vibrant snapshot of the nation’s racial politics, from interracial romance to cross-cultural misunderstandings and countercultural joy. The film morphs into a documentary when the director’s voice abruptly intrudes to narrate its star’s enraging fate: Okpokam was accused of a crime he did not commit and was thrown in prison before being expelled from the country.Read More »

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On the border of Kenya and Tangoniga in East Africa, a Japanese, Toshio Kataoka, finally arrived here. A Japanese academic survey team came to build a comprehensive research facility. But in the village where Toshio finally arrived after more than three days of travel, no one could help him, leaving only a letter of disconnection. At the end of his rope, the handsome man asked the local youth for help through a boy he knew. However, in the village where the clan chief led by the boy, not to mention the conveners, even the cattle were used all day long. Despite this, handsome man still worked hard. Because of this opportunity, Toshio was called “toshi” by everyone in the village and became close to him.Read More »

A young couple in Senegal must contend with the disapproval of their remote village.Read More »

Susumu Hani’s six-year-old daughter Mio plays an orphaned Japanese girl who, for some reason, ends up in Sardinia. She starts going to school, quickly learns Italian, and befriends a boy named Raphael. One of Hani’s stranger concepts for a film, made enjoyable by the great naturalistic acting that’s found in most of his work.Read More »

Three British teenage girls go on a rites-of-passage holiday, drinking, clubbing and hooking up in what should be the best summer of their lives. As they dance their way across the sun-drenched streets of Malia, they find themselves navigating the complexities of sex, consent and self-discovery.Read More »

Umekichi, a geisha in the Gion district of Kyoto, feels obliged to help her lover Furusawa when he asks to stay with her after becoming bankrupt and leaving his wife. However her younger sister Omocha tells her she is wasting her time and money on a loser. She thinks that they should both find wealthy patrons to support them. Omocha therefore tries various schemes to get rid of Furusawa, and set themselves up with better patrons.Read More »

A moving drama depicting the life of a beautiful young man, Jeon Tae-il, a symbolic figure of the Korean labor movement who became a spark of hope for workers’ rights.Read More »

An improvisational film depicting life in a boys’ reform school.

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Susumu Hani’s first feature was this gritty pseudo docudrama of juvenile delinquency based upon a collection of papers, ‘Wings That Couldn’t Fly’, written by the inmates of a boy’s prison. The film follows a young man who drifts into petty crime, is arrested, imprisoned, reformed and released. True stories of other inmates are interwoven into his experience to create a startling document of crime and punishment.Read More »

A film about the great Komitas, one of the victims of the Armenian Genocide, who wasn’t killed, but went crazy and kept silence for 20 years.

The central character is Edgar Novents, a well-known writer and lecturer on the Department of Journalism of the University. He is focused on writing a novel about Rev. Komitas, the great Armenian composer and musicologist, and this provides the bridge between the present and the past. Relying on historical facts, archived documents, psychological hypotheses, Edgar Novents tries to elicit the Paris period of Komitas’ life, to penetrate the enigma of the last years of life of the great son of the Armenian people in the Psychiatric hospital of Villejuif, to bring to light his Great Silence in a gentle and restrained way. To convey fidelity to his novel, The Great Silence, Edgar Novents is trying to share in and understand the sufferings of his literary hero. As a wellbornintellectual, Edgar Novents also is the chronicler of his time, he is always in the focus of modern events, which have been so much shaped by the horrors of the past.Read More »