Drama

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A man and a woman meet by accident on a Sunday evening at their childrens’ boarding school. Slowly they reveal themselves to each other, finding that each is a widow/widower. Each is slow to reveal anything personal so that each revelation is hidden by a misperception. They become friends, then close friends, and then she reveals that she can’t have a lover because, for her, her husband’s memory is still too strong. Much of the film is told wordlessly in action, or through hearing one of their thoughts as they go about their day.Read More »

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For his feature debut, Rainer Werner Fassbinder fashioned an acerbic, unorthodox crime drama about a love triangle involving the small-time pimp Franz (Fassbinder), his prostitute girlfriend, Joanna (future Fassbinder mainstay Hanna Schygulla), and his gangster friend Bruno (Ulli Lommel). With its minimalist tableaux and catalog of New Wave and Hollywood references, this is a stylishly nihilistic cinematic statement of intent.Read More »

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Elizabeth, a voluptuous, shy and unpopular girl, is the object of ridicule at school by the cool in-crowd. Her life spirals downward after the death of her only friend, her grandmother. But she has a crush on a popular boy at school, and a deranged plan to make all her dreams come true!Read More »

from German Postwar Films: Life and Love in the Ruins by Wilfried Wilms & William Rasch

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(…) By the time Liebeneiner’s film appeared in theaters, the genre of the “returnee film” (Heimkehrerfilm) and the “rubble film” (Trümmerfilm) had become the stuff of ironic commentary. In Robert Stemmle’s Berliner Ballade (1948), the imaginary Berlin of 2048 is juxtaposed with “archival material from 1948” and a voiceover expresses the likely dismay of many in the audience: “not another Heimkehrerfilm!” And in Rudolf Jugert’s Film ohne Titel, a screenwriter, an actor, and a director debate what kind of film will attract audiences. If anti-Nazi films that explored questions of guilt were unpopular, they agreed, then the “rubble film” and the “returnee” film would certainly not fill movie houses. Once tragedy, these genres were now the subject of satire; their time had come and gone.Read More »

From wiki: The Company is composed of stories gathered from the actual dancers, choreographers, and office staff of the Joffrey Ballet. Most of the roles are played by real-life company members. While there are small subplots involving a love story between Campbell’s character and a character played by James Franco, most of the movie focuses on the company as a whole, without any real star or linear plot. The many real-life stories woven together show the dedication and hard work that dancers must put in to their art, even though they are seldom rewarded with fame, fortune, or even a statue, painting, or album on which to look back.Read More »

Plot
Esterina, a young war orphan, joins two truck drivers, Gino and Piero, on their trips along Northern Italy. She wants to find her luck in the big city, but her dreams turn into disappointing experiences. She falls in love with Gino but he is not interested in her, until she disappears…Read More »

An ambitious Hollywood hustler becomes involved with a reclusive female star whom he tries to lure out of retirement.Read More »

Paul Newman made his directorial debut and Newman’s wife, Joanne Woodward, stars as Rachel Cameron, a 35-year-old unmarried schoolteacher who feels as though she’s wasted her life. Rachel’s best friend, Calla Mackie (Estelle Parsons), invites her to attend a religious revival meeting. Here Rachel is swept up in the emotional fervor orchestrated by a young guest preacher (Terry Kiser). This is the first of several cathartic incidents which convince Rachel to kick over the traces and express her own needs and emotions. She has a brief sexual liaison with an old family friend (James Olson), and is delighted at the notion that she might have become pregnant. Rachel ends up alone and childless (her “pregnancy” was nothing more than a benign cyst), but still determined to forge a new life for herself. Based the novel A Jest of God by Margaret Laurence, Rachel, Rachel won New York Film Critics awards for both Joanne Woodward and Paul Newman, and an Oscar nomination for Joanne Woodward.Read More »

Plot
In Paris, a young woman, Louise Haines Pearson, visits her disturbed friend Nena who tells her that she has just written a book on the history of a little girl troubled by her senses, perhaps because of the tyranny of his mother and the absence of her father. Louise recognizes the difficulties of this little girl, being herself deeply affected by the indifference of her husband.Read More »