Synopsis
A woman on the run from the mob is reluctantly accepted in a small Colorado town. In exchange, she agrees to work for them. As a search visits the town, she finds out that their support has a price. Yet her dangerous secret is never far away.Read More »
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Compulsion is a compelling, stylish thriller, loosely based on the famous 1924 murder trial of thrill-killers Loeb and Leopold, two homosexual students who murdered a young boy to demonstrate their intellectual superiority. Artie Straus (Bradford Dillman) is a sadistic, mother-dominated bully. Judd Steiner (Dean Stockwell) is a submissive, introverted sissy. Having been raised by wealthy, arrogant families, both Artie and Judd consider themselves above conventional morality. Unfeeling and conceited, the boys, after thRead More »
An American returns to Tokyo try to pick up threads of his pre-WW2 life there, but finds himself squeezed between criminals and the authorities.Read More »
The life and love of Anton P. Chekhov at the crucial point when Чайка (Seagull) is to be premiered in St. Petersburg. The French and sometimes Russian title points the relation with Lika Mizinova, inspiration for the main character of the play.Read More »
Adapted from Dostoevsky’s novella, Henry Czerny plays the narrator, Underground Man. Filled with self-hatred, he keeps a video diary where he discusses his own shortcomings and what he thinks is wrong in contemporary society. His bitterness spills over at a dinner party attended by his old college friends, an occasion which sends him running to a nearby brothel, where he meets Liza (Lee), a young prostitute.Read More »
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Mare’s youth is almost over and he, just like his peers, has no idea what to do with his life. The med school is an unclear guideline at best, the women are coming and going, and there is no sense of stability in this young man in his mid-twenties, whose immaturity is manifested in his interest in the rave scene and the daily dosage of cheap ecstasy. He is searching for passing moments of happiness in this extension of his youth. His colleagues and friends are more or less forced to grow up (getting jobs, having kids) and there is a growing divide between them. They are becoming unpleasant acquaintances, whose chance meetings are getting more and more uneasy.Read More »
Synopsis:
With his raw style of filmmaking, Maurice Pialat has been called the John Cassavetes of French cinema, and the scorching À nos amours is one of his greatest achievements. In a revelatory film debut, the dynamic, fresh-faced Sandrine Bonnaire plays Suzanne, a fifteen-year-old Parisian who embarks on a sexual rampage in an effort to separate herself from her overbearing, beloved father (played with astonishing magnetism by Pialat himself), ineffectual mother, and brutish brother. A tender character study that can erupt in startling violence, À nos amours is one of the high-water marks of eighties French cinema.Read More »
Robert Horton, Amazon.com wrote:
Bette Davis and Miriam Hopkins–a pair of actresses who hated each other–re-mix their chemistry from The Old Maid in Old Acquaintance, an entertaining adaptation of John Van Druten’s play. The action begins with Davis, a semi-famous author, returning to her small town and the home of old friend Hopkins. The later has opted for the settled life of husband and pregnancy, and she doesn’t much hide her envy of Davis’s success. Then the tables turn, as Hopkins pens a series of potboilers that sell much better than her friend-rival’s. The movie keeps checking up on these two as the years pass, each wanting what the other has. Read More »
The Moorish general Othello is manipulated into thinking that his new wife Desdemona has been carrying on an affair with his lieutenant Michael Cassio when in reality it is all part of the scheme of a bitter ensign named Iago.
Review by The Little Songbird @IMDb:
I have always loved the poetry and intensity of Shakespeare’s dialogue in Othello, and I have also found the play one of his more dramatically concise ones. This Othello from Russia is excellent, and very interesting as well. It is handsome to look at, the photography flows nicely and the locations are splendid. The symbolic palette to emphasise Othello’s contrasts between physical and temperamental is also interestingly used. The film is smartly written and intelligently adapted and it is directed beautifully by Sergei Yutkevitch.Read More »