Drama

Synopsis:
British Intelligence during World War II is trying to get the German High Command to shift its forces away from Italy prior to the invasion. To create the illusion that England is in fact planning to invade Greece, they plan to procure a dead body, plant secret papers on it, and arrange for the Spanish authorities to find it and send the papers on to the Germans. That’s the plan, anyway. First they have to find a body that will look drowned, then create an identity for it that will pass German scrutiny. Based on a true story.Read More »

In 1960 Kazimierz Kutz’ second film NIKT NIE WOLA / NOBODY’S CALLING, based on a Jozef Hen novel that was never published in Poland, described the fate of Poles on the Eastern Front. Kutz used the film to explore new formal solutions, collaborating closely with cinematographer Jerzy Wojcik to reveal the psychological landscape of a pair of lovers who are strongly affected by wartime events. The camera recorded the couple’s inner experiences, contrasting their muted intimacy against the surrounding scenery of a ruined town. The film did not win over critics at the time of its release. It was not until later that critics recognized Kutz’s effort to experiment with aesthetics in a manner akin to that pursued by filmmakers of the new wave. NOBODY’S CALLING came to be compared with Michelangelo Antonioni’s THE ADVENTURE, which was produced around the same time.Read More »

Synopsis:
An aging politician tries to get re-elected one last time in the changing world of the 1950s when TV started to play a bigger part in politics. Based loosely on the career of multi-term Boston Mayor James Michael Curley, this film examines the good and evil inherent in politics and all the things that go into an election. Tracy’s uphill battle to stay in office is set against the political machinery that preyed on ethnic hatred and old-time money.Read More »

‘Socrates’ Mirrors the Platonic Touch of Rossellini
Something more than wordplay is involved when one describes Roberto Rossellini’s “Socrates,” which opened yesterday at the New Yorker Theater, as the great Italian director’s most Socratic film, in his most Platonic style.

Although the movie was shot entirely in Spain with lots of correctly costumed extras, who walk around what look to be the freshly painted, spruced-up remains of the sets of Anthony Mann’s unfortunate “Fall of the Roman Empire,” it concedes no more than it absolutely must to the demands of a popular cinema that seeks access to the intellect through visual grandeur and primal emotions.Read More »

Quote:
Elpida, a middle-aged housewife, is trapped in the misery of an oppressive loveless marriage, with a man who has no consideration for her feelings and needs. Her monotonous life is disrupted when a young painter is employed to paint the building she lives in. Her imagination then starts to flourish as she is confronted with her unquenchable desires, her body and the husband she has no love for. After he sells her car without her consent, she becomes vindictive and violent towards him, but her perception of reality is questioned when she has no recollection of events that actually happened.Read More »

Synopsis:
A young woman, Stanley Timberlake, dumps her fiance, Craig Fleming, and runs off with her sister Roy’s husband, Peter Kingsmill. They marry, settle in Baltimore, and Stanley ultimately drives Peter to drink and suicide. Stanley returns home to Richmond only to learn that her sister Roy and old flame Craig have fallen in love and plan to marry. The jealous and selfish Stanley attempts to win back Craig’s affections, but her true character is revealed when, rather than take the rap herself, she attempts to pin a hit and run accident on the young black clerk, Parry Clay, who works in Craig’s law office.Read More »

Quote:
The movie is about two cousins, Charlotte (Bette Davis) and Delia (Miriam Hopkins), who are in love with the same man (George Brent). Originally he was to marry Delia but looses her to a rich rival. He then turns to Charlotte. He is killed in the fighting before he and Charlotte can marry. Charlotte becomes an unwed mother, an impossible situation for a young woman in the mid-nineteenth century. Charlotte hides the baby among a group of civil war orphans she cares for. She later accepts recently-widowed Delia’s big house, where she installs herself and her daughter, who is told that she’s an orphan. Read More »

In Christian Petzold’s carefully crafted reworking of the ‘Postman Always Rings Twice’ story set in a desolate region of northeastern Germany, Ali (Hilmi Sözer) is a shrewd, well-off immigrant from Turkey. He’s married to Laura (Petzold favourite Nina Hoss), an attractive German woman whom he rescued from a bad past, and owns a string of snack bars. Life is placid, if a little joyless, until Ali makes the mistake of hiring disreputable ex-soldier Thomas (Benno Fürmann) as his driver. From then on, things are placid only on the surface…Read More »

In turn-of-the-twentieth-century Turin, an accident in a textile factory incites workers to stage a walkout. But it’s not until they receive unexpected aid from a traveling professor (Marcello Mastroianni) that they find their voice, unite, and stand up for themselves. This historical drama by Mario Monicelli, brimming with humor and honesty, is a beautiful and moving ode to the power of the people, and features engaging, naturalistic performances; cinematography by the great Giuseppe Rotunno; and a multilayered, Oscar-nominated screenplay by Monicelli, Agenore Incrocci, and Furio Scarpelli.Read More »