Drama

Description
Heavily based on the novel by Richard Rashke, Escape From Sobibor tells the
inspirational true story of the only successful mass-escape from a Nazi concentration.

In 1942 Operation Reinhard, the final solution to the Jewish question was put into operation. Three death camps were built in Eastern Poland, near the Russian border, at Treblinka, Belzec, and Sobibor. Sobibor opened in March 1942. Initially, three gas chambers housed in a brick building used carbon monoxide to kill Jewish prisoners, with three more gas chambers added later.Read More »

This is a story of revenge and redemption.

On an isolated road passing through the vast barren plains of Tibet, a truck driver who has accidentally run over a sheep chances upon a young man who is hitching a ride. As they drive and chat, the truck driver notices that his new friend has a silver dagger strapped to his leg. He comes to understand that this man is out to kill someone who wronged him earlier in life. As he drops the hitchhiker off at a fork in the road, little does the truck driver realize that their short time together has changed everything, and that their destinies are inexorably intertwined.

On the path of life, sometimes we meet someone whose dreams overtake our own to the point that they converge.Read More »

SYNOPSIS:
Though he has been having affairs for years, one day when Jacques comes home from being with his mistress, his wife Dominique greets him with tears and demands for affection. After having accepted the situation for so long, it is puzzling to him that she has suddenly grown so demanding. He is not about to leave either woman. Dominique attempts to cope when he brings his mistress home with him, but her inner state is one of increasing hysteria, and tragedy is never very far away.Read More »

ALL THE BOYS AND GIRLS IN THEIR TIME is a series of films
commissioned by the French-German TV station Arte. Ten directors were
asked to participate by making a movie about their teenage years. Each
film had to include at least one party scene which highlighted the music
of the time. TRAVOLTA AND ME, Patricia Mazuy’s entry, transpires in
1978 and (not surprisingly, given the title) takes its inspiration from
U.S. disco and SATURDAY NIGHT FEVER.Read More »

Synopsis:
A male Parisian driving school owner who goes to see his doctor and complains of feeling run down is pronounced four months pregnant. When the diagnosis is confirmed by a specialist, the result is an international media frenzy.Read More »

This is a good movie in the Hitchcock vein, in which small details form the key to intense pathos. Will the husband notice the thing she mentioned in passing? Will her child inadvertently play with the wrong toy? Will the best friend keep the story straight? It takes a tangled web of lies and omissions to keep silent an impulsive affair–and a possible murder–when everything is so interconnected. No real villains here, but faulted humans trying to be happy, and not upset the house of cards that comprise their private lives. Good performances by Honor Blackman and Jean Seberg. You will be on the edge of your seat, and clutching a hankie at the same time.Read More »

Here’s Jissoji Akio’s impressive theatrical debut. Distributed by ATG and with a script by Oshima Nagisa, it’s a fascinating dissection of 1960s Japanese youth angst. Oshima wrote the screenplay for television in 1964, but due to the subversiveness of the story it never got made there. Which doesn’t come as a surprise, considering that the film consists of four students in a room, who decide to leave the gas on and bet money on who will stay there the longest…Read More »

IMDb wrote:
“I do not care if we go down in history as barbarians.” These words, spoken in the Council of Ministers of the summer of 1941, started the ethnic cleansing on the Eastern Front. The film attempts to comment on this statement.Read More »

Quote:
There is a good theory that explains why Agnes Varda’s Jane B. for Agnes V. was never officially distributed in the United States. Apparently, the few distributors that saw it after Varda completed it in 1988 concluded that it was too abstract and therefore too risky to sign. So until recently, it had been screened only a few times at festivals and retrospectives.Read More »