Documentary

“For the first decades of their existence, movies were seen not as works of art deserving preservation but as disposable commodities. The notion that they might be preserved, collected and studied was in the air by the mid-1930’s, but it took the pluck and persistence of a single eccentric Frenchman to make the idea a reality. The name of Henri Langlois — subject of “Henri Langlois: Phantom of the Cinémathèque,” a long, affectionate documentary directed by Jacques Richard — is not as well known as those of some directors whose work and reputations he saved from oblivion. Still, Mr. Richard’s film makes a persuasive case for Langlois as one of the most important figures in the history of film and therefore in the history of 20th-century art. And he was, after his own fashion, an artist — a collector and curator with the temperament of a poet. A shabbily dressed, chain-smoking walrus of a man, Langlois emerges in the course of this fascinating film as a maddening, inspiring figure, afire with intelligence and passion.”Read More »

(Chicago reader capsule ) :
“Released in three parts, Patricio Guzman’s epic documentary The Battle of Chile (1975-’79) captured such critical events as the bombing of the presidential palace during the 1973 military coup, but it wasn’t screened in Chile until the 1990s. That belated premiere inspired Guzman to make this 1997 documentary, in which clips from the earlier film are threaded among interviews and powerful sequences showing the reactions of Chilean viewers. Whereas The Battle of Chile uses voice-over narration to summarize its on-the-spot footage, manipulated only minimally by editing, Chile, Obstinate Memory is more expansive. Without ignoring or hyperbolizing the way politics affects our sense of the past, it presents many galvanizing moments; at one point a viewer who was a child during the coup shamefacedly recalls his pleasure at being allowed to stay home from school”Read More »

Synopsis of Part 3:
THE BATTLE OF CHILE (3): The Power of the People (1978) deals with the creation by ordinary workers and peasants of thousands of local groups of “popular power” to distribute food, occupy, guard and run factories and farms, oppose black market profiteering, and link together neighborhood social service organizations. First these local groups of “popular power” acted as a defense against strikes and lock-outs by factory owners, tradesmen and professional bodies opposed to the Allende government, then increasingly as Soviet-type bodies demanding more resolute action by the government against the right.Read More »

Synopsis of Part 2:
THE BATTLE OF CHILE (2): The Coup d’Etat (1976) opens with the attempted military coup of June, 1973 which is put down by troops loyal to the government. It serves as a useful dry run, however, for the final showdown, that everyone now realizes is coming. The film shows a left divided over strategy, while the right methodically lays the groundwork for the military seizure of power. The film’s dramatic concluding sequence documents the coup d’etat, including Allende’s last radio messages to the people of Chile, footage of the military assault on the presidential palace, and that evening’s televised presentation of the new military junta.Read More »

Synopsis of Part 1:
THE BATTLE OF CHILE: The Insurrection of the Bourgeoisie (1975) examines the escalation of rightist opposition following the left’s unexpected victory in Congressional elections held in March, 1973. Finding that democracy would not stop Allende’s socialist policies, the right-wing shifted its tactics from the polls to the streets. The film follows months of activity as a variety of increasingly violent tactics are used by the right to weaken the government and provoke a crisis.Read More »

The 50 Year Argument is Martin Scorsese’s latest film, co-directed with his longtime documentary collaborator David Tedeschi. It charts literary, political and cultural history as per the New York Review of Books, America’s leading journal of ideas since 1963. The film weaves rare archive material, interviews and writing by icons such as James Baldwin and Gore Vidal into original verite footage, filmed in the Review’s Greenwich Village offices with longtime editor Robert Silvers.Read More »

Ethiopia is a Christian island surrounded by Muslim countries and Harar is other island within that island: a difficult city for sorting, the fourth holiest city of Islam with almost a hundred mosques within its walls, and the place where the poet Arthur Rimbaud chose to refuge in his flight from Europe. Here women control on the street the sale of khat, a plant with stimulant powers that sets the pace of Harar. Consumption, ritualized in everyday life of the city, provides its inhabitants a unique identityRead More »

The Inside Story of Cannon Films is a documentary about two Israeli-born cousins, Menahem Golan and Yoram Globus, who in pursuit of the American Dream turned the Hollywood power structure upside down, producing over 300 films and becoming the most powerful independent film company in the world. Up close and personal, the film examines the complex relationship between two contradictory personalities whose combined force fueled their success and eventual collapse.
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Nicholas Vreeland walked away from a worldly life of privilege to become a Tibetan Buddhist monk. Grandson of legendary Vogue editor, Diana Vreeland, and trained by Irving Penn to become a photographer, Nicholas’ life changed drastically upon meeting a Tibetan master, one of the teachers of the Dalai Lama. Soon thereafter, he gave up his glamorous life to live in a monastery in India, where he studied Buddhism for fourteen years. In an ironic twist of fate, Nicholas went back to photography to help his fellow monks rebuild their monastery. Recently, the Dalai Lama appointed Nicholas as Abbot of the monastery, making him the first Westerner in Tibetan Buddhist history, to attain such a highly regarded position.Read More »