Documentary

Synopsis
The ocean contains the history of all humanity. The sea holds all the voices of the earth and those that come from outer space. Water receives impetus from the stars and transmits it to living creatures. Water, the longest border in Chile, also holds the secret of two mysterious buttons which were found on its ocean floor. Chile, with its 2,670 miles of coastline and the largest archipelago in the world, presents a supernatural landscape. In it are volcanoes, mountains and glaciers. In it are the voices of the Patagonian Indigenous people, the first English sailors and also those of its political prisoners. Some say that water has memory. This film shows that it also has a voice.Read More »

“If anything should happen to me, I beg you to show this tape to the whole world.” On November 23rd, 2006, these words, spoken on camera by exiled former KGB and FSB (post communist Russia’s dreaded new secret police) agent Alexander “Sasha” Litvinenko, became a gruesome self-fulfilling prophecy. After an agonizingly painful ordeal, Litvinenko succumbed to what was allegedly radiation poisoning from a lethal dose of toxic Polonium-210, surreptitiously slipped into his tea during a London meeting with two FSB ex-colleagues three weeks earlier. In Poisoned by Polonium:Read More »

Plot
An Open Secret is an American documentary directed by Amy J. Berg. Berg decided to make the documentary after she was approached by Matthew Valentinas in 2011. Valentinas and Gabe Hoffman wanted to make a film about victims of sexual exploitation. Valentinas said, “We chose Amy because we didn’t want it to be exploitative or tabloid. We wanted it to be empowering for the victims.

A feature documentary from Oscar-nominated director Amy Berg follows the stories of five former child actors whose lives were turned upside down by multiple predators, including the convicted sex offenders who owned and operated the now infamous Digital Entertainment Network (DEN).Read More »

A documentary directed by Abel Ferrara for the series ‘BOATS – Based On A True Story’ about the Padre Pio di Pietrelcina. Read More »

Quote:
73-year-old De Oliveira decides to make a personal movie that his audience will only know once heis dead. In 1982, the director takes the decision to make a movie about (and in) his (ex) house, in which he lived for over 40 years. The initial still shot is held for a long while with the presence oftrees in the garden of his house in Oporto. De Oliveira himself introduces the film and speaks all the credits out. The voices of a man and a woman guide us for most of the first part, in a sort of preliminary and formal tour around the totality of the house. They remain out of frame and the camera perspective is not necessarily theirs. After a few minutes, we see De Oliveira for the first time, writing on a typewriter at his desk. The most surprising element, in narrative terms, is the recreation of his arrest and his stay in a dungeon in times of the Portuguese military regime, during the 60s. Right from the start, the word memoryis a relevant operative term; the confession becomes explicit around half through the film.Read More »

Synopsis:
A triumph of film art, creating on the screen a vast, awe-inspiring picture of the universe as it would appear to a voyager through space, this film was among the sources used by Stanley Kubrick in his 2001: A Space Odyssey. Realistic animation takes you into far regions of space, beyond the reach of the strongest telescope, past Moon, Sun, and Milky Way into galaxies yet unfathomed.Read More »

Story
This stunning feature documentary chronicles the attempted takeover of a small town in North Dakota by notorious white supremacist Craig Cobb. As his behavior becomes more threatening and tensions soar, the residents desperately look for ways to expel their unwanted neighbor. With incredible access to both longtime residents of Leith and white supremacists, the film examines a small community in the plains struggling for sovereignty against an extreme vision.Read More »

In this documentary about the exile of two famous French actors in Argentina during and after World War II, the director Cozarinsky returns to Argentina after many years in France and recalls places and events from his childhood, particularly the celebration of the liberation of Paris on in August of 1944, in Buenos Aires’s Plaza Francia. Featuring testimony from various authors and acquaintances of Maria (Renee) Falconetti and Robert Le Vigan, the film explores their lives and final years in Argentina.Read More »

Where do images come from? This disturbing and essential question is posed by Philippe Grandrieux, and he already imposed it on himself the start, via Sombre (1999) up to the portrait recently devoted to Masao Adachi (FID 2011). From where, then? Maybe from the depths behind our eyes, ungraspable visions, night in suspension, promise of the end of an eclipse, between dream and nightmare. This is the start (and in truth the programme) of White Epilepsy. In a darkness barely broken by light, a mass advances: a nude back, in a long shot entirely centred on the shoulders.Read More »