Documentary

In an hour’s chat with two French interviewers, Sternberg laments the failure of critics and the public to truly understand his work.Read More »

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Niños de la Calle examines the gritty reality of four children living on the streets of Mexico City. Filmed in 2001, this dramatic and moving documentary follows Marcos, Erika, Antonio and Juan as they get high, visit their families and struggle to survive in the world’s largest metropolis. Niños de la Calle was nominated for two Mexican Academy Awards (Arieles), and won the Best Feature Documentary prize at the inaugural edition of the Morelia International Film Festival in 2003.Read More »

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Part of the French TV program – Cineartists of Our Time. In 1964, film critic and filmmaker André S. Labarthe, together with Janine Bazin, widow of influential film theorist André Bazin, approached the French television channel ORTF about starting a program that would resemble the long, in-depth interviews with film directors that magazines such as Cahiers du cinéma and Positif regularly published. ORTF gave the green light, and Cinéastes de notre temps (Filmmakers of Our Time) was born. Many of the programs were dedicated to older directors, then in retirement or in the final stages of their careers. Instead of TV journalists, Labarthe and Bazin would often ask well-known film directors to make these programs: thus, Jacques Rivette on Jean Renoir, or Jacques Rozier on Jean Vigo, etc Read More »

In 1955, Éric Rohmer published a series of articles entitled Le Celluloïd et le Marbre in the Cahiers du cinéma. He made a controversial and disenchanted survey of the 20th century, to better enhance by contrast the true modernity of cinema. Ten years later, Rohmer uses this principle in a film where he asks a number of contemporary artists to situate their art in relation to cinema.Read More »

Follows an abusive man when he speaks out, positioning himself as a critic of violence.Read More »

Never-before-seen footage, exclusive voice messages, and accounts from Jeff Buckley’s inner circle paint a captivating portrait of the gifted musician who died tragically in 1997, having only released one albumRead More »

Plot and Background
Director Hellmuth Costard asked himself in 1974: “Is it possible to make films in Germany today?”. Benefiting from a television job, he equips himself with his own camera system and films with several cameras in order to make the illusion of filming clear. In 1977 he failed, interviewed colleagues like Hark Bohm (“North Sea is Murder Sea”) and met his idol Jean-Luc Godard, who came to Hamburg for a day but failed at the NDR and left again. Costard is speechless.Read More »

Tells the story of a hundred years of a life as seen through the eyes of thirty Irish centenarians.Read More »

AUGUST 1980: Following the unjustified dismissal of Anna Walentynowicz, an employee just months away from retirement, her colleagues at the Gdansk shipyards organized a general solidarity strike. The movement grew to unprecedented proportions and would have irreversible consequences for all of Polish society, and by extension, for the Soviet bloc.Read More »