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Solomon invites Ceausescu to revisit Romania, 20 years after he has been executed. The dictator haunts present-day capitalist society, emerged in the Wild East and often deeply rooted in its communist past.
The film offers incredible access to top magnates – at home, in their offices and in their minds – building a bitter-sweet portrait of a new ruling class.
Capitalism with a K – an Eastern European cocktail of power and money.
This is now part of Greater Europe.
Unavoidable!Read More »
Orson Welles:
The Territory of others is a treasure that must be cherished by future generations of film lovers as well as by those of today’s generation. All who see this movie will be touched and will find the presence of magic.
Daniel Deshays:
If we had to defend the idea that creativity takes precedence over the cinematographic genre, it would suffice to show / listen to this animal film. It was built as we no longer know how to do it: sound and image together. The editor Jacqueline Lecomte plays with the composer Michel Fano who invents here his own language in a sound and musical hybridity. One of the first environmental films. A poetic universe that Orson Welles described as “treasure to cherish by generations of future moviegoers”.Read More »
In Toamasina, on the east coast of Madagascar, Saholy runs a small business of pedicabs. She takes care of her drivers as if they were her sons and lets them find with her a home where they get mothered. Tormented with a difficult past, Njaka is looking for his place in the bosom of this big family. At seventeen he knows he must decide his future but lets himself still easily be tempted by girls and smoking joints.Read More »
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Handicapped Future is a 1971 documentary film by Werner Herzog about physically disabled children in Munich. The film was made at the request of a disabled friend of Herzog’s, specifically in order to raise awareness for the cause of the disabled in West Germany.Read More »
Synopsis:
An Israeli ex-soldier who participated in a revenge operation where two Palestinian policemen were murdered seeks forgiveness for what he has done. His girlfriend does not think it is that simple, she raises issues he is yet not ready to address. The soldier willingly testifies for camera as long as his identity is not exposed. While the filmmaker keeps looking for the proper solution for concealing the soldier’s identity he questions his own political and artistic conduct.Read More »
What is the essence of theatre?
Theatre 1 is a feature length documentary which closely depicts the world of Oriza Hirata, Japan’s leading playwright and director, and his theatrical company, Seinendan. By depicting them, the film leads the audience to revisit fundamental but timely questions: What is theatre? Why do human beings act?Read More »
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From a very young age, children begin to work in the Mexican countryside. The Inheritors is a journey through their lives and their daily struggle for survival. These children’s realities echo those of their ancestors. One generation after another remains caught up in a perpetual cycle of inherited poverty.Read More »
Documentation of the lion hunt performed by the gow hunters of the Songhay people, shot on the border between Niger and Mali over a period of seven years.
Icarus Films Synopsis:
Shot on the border between Niger and Mali over a period of seven years, THE LION HUNTERS is Jean Rouch’s documentation of the lion hunt performed by the gow hunters of the Songhay people.
Opening on the Niger River, the film travels north to “the bush that is farther than far “: the desert region populated by the Fulani cattle herders, who have requested the help of the gow in eliminating a lion, nicknamed “The American” for his cruel cunning, who has been killing their cows.Read More »
“A cinematic doppelganger without precedent, Elisabeth Subrin’s Shulie uncannily and systemically bends time and cinematic code alike, projecting the viewer 30 years into the past to rediscover a woman out of time and a time out of joint — and in Subrin’s words, “to investigate the mythos and residue of the late ’60s.” Staging an extended act of homage, as well as a playful, provocative confounding of filmic propriety, Subrin and her creative collaborator Kim Soss resurrect a little-known 1967 documentary portrait of a young Chicago art student, who a few years later would become a notable figure in Second Wave feminism, and author of the radical 1970 manifesto, The Dialectic of Sex: The Case for Feminist Revolution. Reflecting on her life and times, Shulie functions as a prism for refracting questions of gender, race and class that resonate in our era as in hers, while through painstaking mediation, Subrin makes manifest the eternal return of film.”Read More »