Documentary made in Yemen (and first film ever shot in this country) under the leadership of archaeologist Jules Barthou. During the adventure of this film, René Clément will serve four days in prison for having concealed a camera under his clothes, then will be captured by rebels and threatened with being shot. The majority of the negatives will be seized by the guards of Imam Yahia, and it is with the remaining rushes that Clément will edit what becomes The Forbidden Arabia, a film entrusted to the Musée de l’Homme in 1965 where it is forgotten until that ethnologist Claudie Fayein unearths it and has it restored.Read More »
A Sundance Grand Jury prize-winner and a true conversation starter, Capturing the Friedmans travels into one apparently ordinary Long Island family’s heart of darkness. Arnold and Elaine Friedman had a normal life with their three sons until Arnold was arrested on multiple (and increasingly lurid) charges of child abuse. Because the Friedmans had documented their own lives with copious home movies, filmmaker Andrew Jarecki is able to sift through their material looking for clues. Yet what emerges is more surreal than fiction: the youngest Friedman son went to jail; the eldest became a birthday-party clown. In the end, we can’t be sure whether Arnold Friedman is a monstrous child molester or the victim of railroading. The portrait of a disconnected family is deeply disturbing, either way, and this film is further proof that a documentary can be just as spellbinding as anything a great storyteller dreams up.Read More »
Part of Johan van der Keuken’s North/South series, The White Castle focuses on the impact of the West on the underclass: on the concrete realities of their daily life and on the way their existence is isolated and frustrated. Interweaving images of the Spanish tourist mecca of Formentera, a community center in Columbus, Ohio, and factories in the Netherlands, the film vividly illustrates the fragmented, alienated lives that the market economy produces and chillingly portrays what van der Keuken saw as “a conveyor belt [that] runs across the world.”Read More »
This Documentary examines the wide- spread allegations that Kurt Waldheim committed war crimes during World War II. Waldheim was an Austrian diplomat and politician. Waldheim was the fourth Secretary-General of the United Nations from 1972 to 1981, and the ninth President of Austria from 1986 to 1992., The evidence is presented before a panel of five eminent judges who render a decision at the end of the program.Read More »
Quote: The Führer Gives a City to the Jews is the only film known to be made by the Nazis inside an operating concentration camp. Germany’s Ministry of Propaganda produced this 1944 film about Theresienstadt, the “model” ghetto established by the Nazis in 1941 in Terezin, a town in the former Czechoslovakia.Read More »
Synopsis The RER B is an urban train that traverses Paris and its environs from north to south. Multi-award-winning documentary filmmaker Alice Diop takes us through these suburban spaces and confronts us with some of the faces and stories of which they are composed. A moving testament to the importance of filming as a process of bearing witness and remembering, Nous is timely in many ways. It is subtle and shrewd in a world that favours shortcuts and easy answers. Justifiably adopting the fragmented structure of a patchwork portrait in order to describe a riven society, Diop displays impressive control of her essay and its impact. In the film’s first few minutes, a deer is observed, through binoculars. A certain sense of awkward, man-made distance stays with us. Isolation, discrimination and nostalgia for hierarchies, inherited from a monarchical past … Divisions haunt France’s present. But the human urge to give as well as to receive stubbornly creeps into every situation, observed or triggered. Could this be the one thing that still keeps a nation together? (excerpt from berlinale.de)Read More »
The Battle of Midway John Ford is widely regarded as one of America’s greatest film directors, a myth-maker who put his distinctive stamp on the Western genre, and whose films memorably portray key moments in American history. Although known primarily as the director of classic Hollywood movies like Stagecoach (1939), The Grapes of Wrath (1940) and The Searchers (1956), there’s more to Ford than his impressive feature film career. Many people may not know that Ford served in the U.S. Navy during World War II, and worked for the O.S.S. (Office of Strategic Services) as Chief of the Field and Photographic Branch. During this time, he undertook various missions for the Navy, and was involved in the production of training films and war documentaries, one of which was The Battle of Midway. The battle itself took place in the Central Pacific from June 4 to June 6 1942, and Ford was present as the Japanese attacked the American outpost on Midway Island. How did such a noted Hollywood feature film director, a man who Tag Gallagher calls “… the great poetic chronicler of American history”, approach documentary filmmaking, and more specifically, how did he chronicle the events at Midway?Read More »
A workshop of William Shakespeare’s Richard III inspires actor-director Al Pacino’s breezy documentary, which aims to make the playwright accessible to contemporary American audiences. Though a noteworthy cast of stage actors and Hollywood stars (including Kevin Spacey, Winona Ryder, and Alec Baldwin) gathers to work on the play, Looking for Richard does not present a straightforward filmed version of the scheming, deformed king’s rise and fall. Instead, Pacino turns the cameras on the rehearsal process and his own exploration of Shakespeare’s history and meaning. Scenes in full costume alternate with readings in street clothes, while interviews gather the opinions on the Bard of everyone from renowned scholars and Shakespearean actors to random New Yorkers. A trip to England allows brief visits to Shakespeare’s birthplace and the Globe Theater, but Pacino’s focus remains on the United States and his desire to prove that American actors can act the plays without mimicking their British counterparts. Clearly a labor of love for Pacino, the film benefits from his passionate persona and direct, no-nonsense attitude; while the performances may vary in quality, the film manifests a refreshingly casual, unpretentious, and enthusiastic approach to Shakespeare. – allmovie.comRead More »
