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A living chronicle of the residents of Béguinage neighbourhood – so named because it is situated on the site of former Béguinage. Designed as an encyclopaedic inventory, the film comprises around thirty chapters, each imbricated with the other, like so many pieces of a puzzle, or resembling a termite mound with many intersecting galleries. It takes place within the space and interstices of a day, starting at dawn and ending at night. (Boris Lehman)Read More »
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I’ve been brooding a lot lately about the way in which many of the best movies around have been ravaged by “narrative correctness.” This is the notion fostered by producers, distributors, and critics — often collaborating as script doctors and always deeply invested in hackwork — that there are “correct” and “incorrect” ways of telling stories in movies. And woe to the filmmaker who steps out of line. Much as “political correctness” can point to a displaced political impotence — a desire to control language and representation that sets in after one despairs of changing the political conditions of power — “narrative correctness” has more to do with what supposedly makes a movie commercial than with what makes it interesting, artful, or innovative. Invariably narrative correctness means identifying with the people who pay for the pictures rather than with the people who make them.Read More »
Eric M. Nilsson’s rich and multi-layered masterpiece Anonym [Anonymous] avoids to be categorized. It’s a TV documentary, an essay film and a detective story at once. It starts with a finding in a container in central Stockholm; film strips, photographies, magazines and other leftover objects. Who is the man reappearing with a crossed out face? Why has this unknown man left this seemingly unfinished work and what’s his motif for staying anonymous? What is the meaning behind all this – if there is any?Read More »
If you watched TV, went to the movies, or listened to the radio in the 80s and 90s, you heard Suzanne Ciani’s work. A five-time Grammy nominated composer, recording artist, and electronic music pioneer, whose sounds have been featured in countless commercials, video games, and feature films. A LIFE IN WAVES is the story of a woman who changed the sound of music and film.Read More »
A short video documentary on Larry Janiak’s time as an instructor at the Institute of Design in Chicago, where he taught undergraduate and graduate students for 12 years. Aaron Siskind hired Larry in 1968 to start an experimental live action and animated film area at the school. A narrator introduces Larry’s career and achievements at the school and guides viewers through the animation filmmaking area. The film primarily features footage of a beginning animation course taught by Larry.Read More »
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What started as a film test on new sync-sound film equipment quickly became a short film documenting the typical nuttiness behind the scenes at Goldsholl Design & Film Associates, a Chicago-based design firm that employed both Wayne Boyer and Larry Janiak. Janiak ad libs alone, as no one else would come out from the behind the camera. Shot by Boyer and edited by Janiak, a home movie.Read More »
Following the steps of the painter Antonio Ligabue, the documentary discovers the works of many naif painters from the Bassa Padania who live along the banks of the river Po.Read More »
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Emmanuèle Bernheim and Alain Cavalier are linked by thirty years of friendship. They are preparing a film based on the autobiographical book of the novelist: Everything went well. She tells how her father asked her “to finish” after a cardiovascular accident. Cavalier proposes to him to hold his own role and that he, be his father. One winter morning, Emmanuèle calls Alain; it will be necessary to delay the shooting until the spring, it is operated urgently.Read More »
Synopsis
Amit Dutta recorded several conversations with Prof. B.N. Goswamy, an important art historian of India, covering his entire body of work. Interspersed with his talks were also some silences. This film draws upon some of those moments of silence and weaves them into a web of ideas and images that fill the art-historian’s mindscape.Read More »