Documentary

A survey of the physical qualities and metaphysical quandaries of the United States-Mexico border. Follows the boundary and its immediate surrounding topography incrementally from the Gulf of Mexico to the Pacific Ocean.Read More »

The Falklands War lasted from April to June of 1982 and took the lives of 655 Argentinian and 255 British soldiers. It ended in Argentina’s military defeat and in territorial claims on both sides that remain contentious to this day.
Thirty-five years after the end of the war, Argentinian artist and director Lola Arias invites veterans to look back – together, either in pairs or in dialogue with the camera. The British and the Argentinians face each other as former enemies, but also form an ensemble, such as when they re-enact a battle scene in an abandoned building that resembles a theatre. Read More »

Franz West (1909-85) remembers his youth in Vienna: the variety of the Jewish population of the so called Matzah-Island, his commitment to the worker’s movement of the Red Vienna and the rise of Austro-fascism and National Socialism. West’s masterly narration combined with impressing archive footage illustrate and elucidate the complex Austrian history between WW1 and WW2.Read More »

A cameraman is given a week to photograph the aerial highlights of Holland for a travelogue.
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Quote:
Böttcher made his graduation film NOTWENDIGE LEHRJAHRE (1960) about young people who had become delinquent in a youth work yard in Thuringia. Already here a striking feature of his later films becomes apparent: Jürgen Böttcher gives his protagonists a lot of space; he approaches them without prejudice, empathetically and carefully. In addition, his curiosity can be felt in the life situations and stories of his characters.Read More »

A documentary shot by Moullet in 16mm, about two remote, underdeveloped villages, one in the Alps and one in the Pyrenees. It is Moullet’s version of Buñuel’s Las Hurdes (Land without Bread, 1932) which was not released until 1966.Read More »

Rabo de Peixe is a fishing village in the Azores. Between 1999 and 2001, Joaquim Pinto and Nuno Leonel shot a documentary there about the disappearing traditional fishing methods. The TV channel which commissioned the film didn’t appreciate its critical attitude and broadcasted it only once, in a shorter version. In the meantime, the two directors move to the island, and the industrial fishing methods, supported by Community directives, shake the small village. Fifteen years later, they decide to re-edit the movie following their original intentions, keeping in mind the time that has passed and how their lives have been changed by that place and its inhabitants.Read More »

Alice Rohrwacher, Pietro Marcello, and Francesco Munzi, three of the most interesting voices in contemporary Italian filmmaking, pool their talent in this captivating collective work, with a self-assured nod to the film Comizi d’amore (Love Meetings) by Pier Paolo Pasolini (1964). In their travels across Italy, the filmmakers hear from a diverse range of young people, resulting in a snapshot of a generation for whom hope is always marred with uncertainty. Disarmingly simple and strikingly effective, this documentary captures the spirit of a troubled time, in which the global pandemic throws doubt on the future.Read More »

Quote:
“Intended as a longer film, this proved sufficient to vignette the nuances of my sadness.”

— Anne Charlotte RobertsonRead More »